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Marc is sitting in his bath one morning and asks his wife, “how would you feel if I shaved off my mustache?” She doesn’t think it’s a great idea, for the 15 years they’ve been married, she’s never known him without his ‘stache. He shaves it off anyway, but when he sees his wife, she doesn’t notice, neither do their friends at dinner that night, neither do his co-workers. Marc finally flips out, shouts at everyone, tells them he’s tired of their little joke, and what do they really think. His wife and co-workers are appalled, what is he talking about, he’s never had a mustache. In fact, he’s imagining other things as well, or is he?
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The Big Boss is Jim Maloney (Otto Kruger), who pulls all the political strings in an unnamed major metropolis. Maloney’s chief antagonist is scrupulously honest “reform” governor Bob Dugan (John Litel). The fact that Maloney and Dugan are actually brothers, orphaned in childhood and raised separately, adds both texture and poignancy to their current adversarial relationship. Intending to reveal his fraternal ties to Dugan at a crucial moment in the latter’s anti-corruption campaign, Maloney is ultimately defeated by the forces of Righteousness. Outside of the always dependable Otto Kruger and John Litel, the film’s best performance is delivered by the underrated Gloria Dickson as a fairly realistic newspaperwoman.
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In 1868 Arizona the Apaches led by Cochise are on a warpath and U.S. Army Captain Bruce Coburn is tasked with protecting settlers on their way to Apache Wells. A group of undisciplined soldiers, led by corporal Bodine, make Coburn’s task more difficult. When they’re sent after a shipment of repeating rifles Bodine and four others steal the weapons and desert. Captain Coburn manages to return to Apache Wells where he vows to capture Bodine and his fellow deserters. Meanwhile, Bodine mets Cochise to negotiate the sale of the stolen repeating rifles without knowing that Captain Coburn has recovered the stolen weapons and has killed the other deserters. Cochise and Bodine chase after Captain Coburn in an attempt to recuperate the rifles which both the Apaches and the settlers need in order to prevail. A race against time ensues.
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Film version of playwright Tennessee Williams’ “The Milk Train Doesn’t Stop Here Anymore” involves very wealthy Flora ‘Sissy’ Goforth, supposedly dying, and living in a large mansion on a secluded island with her servants and nurses; into her life comes a mysterious man, Angelo Del Morte and “the Witch of Capri.” The mysterious man may or may not be “The Angel of Death”.
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It was the story of a very rich young man who falls in love with a couple who are at college with him. He ‘plagiarises’ them in the sense that in the end he manages to go to bed with both of them. But the young man has problems – there’s a suggestion that he killed his parents, who were so much in love that he felt excluded.
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Invisible aliens in a tiny flying saucer come to Earth looking for heroin. They land on top of a New York apartment inhabited by a drug dealer and her female, androgynous, bisexual nymphomaniac lover, a fashion model. The aliens soon find the human pheromones created in the brain during orgasm preferable to heroin, and the model’s casual sex partners begin to disappear. This increasingly bizarre scenario is observed by a lonely woman in the building across the street, a German scientist who is following the aliens, and an equally androgynous, drug-addicted male model. (Both models are played by Anne Carlisle, in a dual role.) Darkly funny and thoroughly weird.
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Muffin’s wedding to Dino Corelli is to be a big affair. Except the aging priest isn’t too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino’s grandma expires in bed just as the reception starts. Could be quite an occasion.
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Exploring the somewhat darker and more mysterious side of the Lewis Carroll’s classic book, the movie follows Alice Liddell (the book’s inspiration) as an old woman who is haunted by the characters she was once so amused by. As she thinks back on it, she starts to see her relationship with the shy author/professor in a new way and realizes the vast change between the young Alice and the old.
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Robgen industries newest security system is “The J Series Automatic”, an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.
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It’s Christmas break at the Calvin Finishing School for Girls, and the students are planning a big party while the president of the school is away. A group of boys show up and the fun begins, until mysterious killer starts bumping off couples one by one. The police show up and promise to keep everyone safe, but they prove ineffectual against the crazed psycho. Could the killings have anything to do with the girl who was killed in an initiation stunt at the school a few years earlier?
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