The Pierre Woodman Story / A Pierre Woodman sztori (2009) András Kovács M., Péter Szajki, Documentary, Erotic

The Pierre Woodman Story (2009)
This documentary shows the life of French porn film director and producer Pierre Woodman, who has discovered several dozen Hungarian, Czech, Slovak, and Russian girls for the porn industry; girls who did not have a second though about participating in Pierre’s castings. This French-born entrepreneur and dare-devil is famous and envied for recording his porn movie castings, during which he “tests“ the candidates. Monsieur Woodman is 45 years old and has had 3000 sexual contacts with women so far.
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Rembrandt’s J’Accuse…! (2008) Peter Greenaway, Martin Freeman, Eva Birthistle, Jodhi May, Documentary, Mystery

Rembrandt's J'Accuse...! (2008)
An ‘essayistic’ documentary in which Greenaway’s fierce criticism of today’s visual illiteracy is argued by means of a forensic search of Rembrandt’s Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its thirty-four painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt’s paintings into seventeenth-century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate entities. However, reality was different.
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The Heart Is Deceitful Above All Things (2004) Asia Argento, Dylan Sprouse, Cole Sprouse, Drama

The Heart Is Deceitful Above All Things (2004)
The dysfunctional twenty-three years old Sarah takes her six year old natural son Jeremiah from the home of his beloved foster parents with the support of the social service to live with her. Along the years, the boy shares her insane and lowlife style and is introduced to booze and drugs and mentally, physically and sexually abused by Sarah, her lovers and her religiously fanatic family.
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Boy, Did I Get a Wrong Number! (1966) George Marshall, Bob Hope, Elke Sommer, Phyllis Diller, Comedy

Boy, Did I Get a Wrong Number! (1966)
The Divine D.D., a European actress known more for her bubble bath scenes than for her acting, decides she has had enough with bubble baths and wants to be taken seriously as an actress. So much so that she runs away during the middle of a scene while filming in Hollywood and winds up in Oregon. While she is staying in a hotel, the operator accidentally connects her with a real estate agent named Tom Meade. She asks Tom to bring her some food and when he does he suggests that she go to his cabin in the woods. She also asks him not to tell anyone where she is because she doesn’t want to go back to Hollywood. Now Tom must keep the secret, especially from his wife and from his suspicious housekeeper Millie.
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Le Tigre se parfume à la dynamite / An Orchid for the Tiger (1965) Claude Chabrol, Roger Hanin, Margaret Lee, Michel Bouquet, Adventure, Crime, Comedy

Le tigre se parfume a la dynamite (1965)
Louis Rapiere aka Tiger is sent to Port-a-Pitre (French Guyane), to supervise the recuperation of a treasure from a sunken ship. A group of revolutionaries pirates the ship and robs the treasure, intending to sell it to an international terrorist organization, named Orchid. When he gets there, he demands that the French authority arrests the revolutionaries, but trying to prevent a general strike, the police does nothing. The Tiger finds himself acting alone, in a paralized territory – as the revoltionaries incited the people to the general strike anyway… and competing against American, Russian, and German spies. Everybody is very interested in the treasure, a rare mineral with tremendous impact on arms development, now about to fall into the Orchid’s clutch.
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Station / Eki (1981) Yasuo Furuhata, Ken Takakura, Chieko Baishô, Ayumi Ishida, Drama

Station (1981)
A very beautiful film. This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she’s had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he’s done in his life and is made over and over again to relive his mistakes. There is very little “action” as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.
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