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From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.
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Christopher Lee returns as Sax Rohmer’s insidious Asian villain Fu Manchu for the second of his five vehicles. This time Fu Manchu and his army of henchmen are kidnaping the daughters of prominent scientists and taking them to his remote island headquarters. Instead of asking for ransom, Fu demands that the fathers help him to build a death ray, which he intends to use to take over the world. But Fu’s archenemy, Nayland Smith of Scotland Yard, is determined not to let that happen…
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A blonde actress is murdered across from a bar. An off-duty cop has been getting pleasantly sloshed, but becomes worried about his innocence when he finds out he was seen leaving the establishment with a blonde, but doesn’t remember. As he investigates, he interviews a columnist who was going with the actress, a caricaturist who drew the victim, the caricaturist’s wife who works at the bar, and the caricaturist’s lover, and slowly begins to put the pieces of the deadly puzzle together.
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Iris finds a new job working in a preservation lab where she gradually enters into a troubled relationship with her boss.
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A ruthless gang led by private detective Joseph Plender is extorting rich people and famous fashion photographer Vincent Mandel seems the next victim. He is married to Hélène, daughter of one of the richest people in Europe, but not quite happily. In fact the marriage is on the brink of a divorce and a judge is deciding who will take the two children. Can Hélène take them to Germany or will they stay with Vincent? Vincent has a lot on his mind and he improvises when model Sofia Kippiani comes to his studio, but his makeup crew doesn’t show up. Before he knows it, he is accused of a rape. Things go worse and worse for Vincent, he sees his entire life slipping away and, most importantly, he might lose his children. But why does his former schoolmate Joseph Plender seek contact with Vincent and even solve a nasty problem for him? Does Plender want something more than money?
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The nephew of a murdered millionaire decides to track down his uncle’s killer. He faces many life-threatening dangers as he tries to break into the inner circle of the sinister criminal “The Tortoise.”
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SESSO MATTO is an episodic comedy in which Dino Risi generated a series of grotesque episodes concerning sexual deviations.
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In this adaptation of Dashiell Hammett’s “The Farewell Murder”, Nick and Nora (and their dog Asta) visit the estate of Col. MacFay, who is being threatened by a mysterious man wanting revenge for a past injustice. When MacFay is murdered, that man is the obvious suspect- maybe too obvious…
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Well off Andrzej and Krystyna’s marriage is at a stage where familiarity breeds contempt, that contempt which is outwardly shown only behind closed doors and only when an incident of some sort sets off one or the other. While driving through the countryside on a Sunday on their way to the lake to embark on an overnight sailing excursion, they almost run over a young male hitchhiker. Despite the antagonism between Andrzej and the hitchhiker, Andrzej offers him a ride as far as the marina. By the time they reach the lake, their antagonism has dissipated enough that Andrzej asks if he would like to join them on their sailing trip. The hitchhiker accepts despite knowing nothing about sailing. As the sailing trip progresses, the antagonism between the two men begins to increase again, fueled on both sides as each strives to be the alpha male. Andrzej needs to show his superiority, while the hitchhiker needs to show that his young age and inexperience, not only with sailing but with life in…
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A scientist working on an important new invention which will protect Allied shipping from U-boat torpedoes has been assigned Secret Service security protection. Amazingly, despite the fact that his laboratory and experiments are located on the upper floor of his Washington mansion, he decides to host a cocktail party for friends on the first floor. Even though several of his guests are foreign nationals with shadowy pasts, he refuses to allow his bodyguards to attend because their presence might offend them. When he is killed by unknown means before joining them, the resultant summary investigation includes Honolulu detective Charlie Chan and children Tommy and Iris, later joined by Birmingham Brown, the chauffeur of one of the guests. When a preliminary autopsy reveals the scientist was electrocuted, Charlie and his associates must decide which of the suspects and red herrings is the guilty party.
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