In the enthralling Blow Out, brilliantly crafted by Brian De Palma, John Travolta gives one of his greatest performances, as a movie sound-effects man who believes he has accidentally recorded a political assassination. He enlists the help of a possible eyewitness to the crime (Nancy Allen), who may be in danger herself, to uncover the truth. With its jolting stylistic flourishes, intricate plot, profoundly felt characterizations, and gritty evocation of early-1980s Philadelphia, Blow Out is an American paranoia thriller unlike any other, as well as a devilish reflection on moviemaking.
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Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his radio hoax War of the Worlds, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with William Randolph Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman J. Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. The movie is about an aging newspaper publisher who controlled his enemies as ruthlessly as he controlled his friends; and whose mistress was destined for fame. When a rough cut is screened, Hearst gets wind of the movie’s theme and begins a campaign to see that it is not only never publicly screened, but destroyed.
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Brooklyn 1944. Despite being the same age, having grown up within blocks of each other, and both being Jewish, late teens Danny Saunders and Reuven Malter don’t really know each other – knowing each other only by name and by sight – as Orthodox Danny stays largely within his own Hasidic community, which is just fine in Reuven’s mind. An incident between the two which on the surface threatens to tear them even further apart instead blossoms into a friendship between the two. They begin to learn more and more about the other and their lives, which for Danny includes becoming a rabbi, solely as it is a several generations old family calling. In Reb Saunders’ mind, he who rules his family by strict Hasidic traditions, Danny becoming the next rabbi in the family is not even a question, despite Danny, deep in his heart, wanting other secular pursuits which he has not told his father. Conversely, Reuven has modern sensibilities, being raised in a two-person household by his widowed academic …
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Music for the Movies: Bernard Herrmann is a 1992 documentary film directed by Joshua Waletzky. It was nominated for an Academy Award for Best Documentary Feature.
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Tony successful fighter pilot during World War II marries into the family of a wealthy oil magnate who also designs airplanes. The movie traces the company’s attempt to break the sound barrier, as well as tensions between father and daughter. Lots of footage of early 50s jet aviation in Great Britain as well as shots of the Comet airliner, world’s first jet passenger plane.
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Chernobyl 1986. A nuclear reactor exploded, spewing out massive quantities of radiation into the atmosphere. Within days, the pollution had spread across Europe. Living on land contaminated with radioactivity would be a life-changing ordeal for the people of Belarus, but also for the Sami reindeer herders of central Norway. It even affected the Gaels of the distant Hebrides. Five years ago there was a meltdown at the Fukushima reactor, and thousands of Japanese people found their homes, fields and farms irradiated, just as had happened in Europe. This international documentary, filmed in Belarus, Japan, the lands of Norway’s Sami reindeer herders and in the Outer Hebrides, poses the question: what lessons have we learned?
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The McCandles ranch is run over by a gang of cutthroats led by the evil John Fain. They kidnap little Jacob McCandles and hold him for a million dollar ransom. There is only one man who is brave enough and smart enough to bring him back and that man is Big Jake.
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Using his mysterious Economic Confidence Model, Martin Armstrong predicted financial market crises and global conflicts with incredible precision. When some big New York bankers asked him to join “The Club” to help them to take over Russia, he refused to join the manipulation. A few days later the FBI stormed his offices accusing him of a 3 billion dollar Ponzi Scheme and put him in prison for twelve years. Was it an attempt to silence him and prevent him from initiating a public discourse on the real Ponzi scheme of debts that the world has been building up for decades? Now he’s back—with his scariest prediction yet.
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Ex-marshal Billy Reynolds, sent to state prison for killing two men in self defense, learns that killer Jessie Gorman, brother of the two men Billy shot, is in the same prison and vows revenge. Complicating matters further is the incarceration of Gorman’s girlfriend Abby who helps Gorman plan an escape while at the same time is unsuccessful hiding her feelings for Reynolds.
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Man Alive is an inventive and consistently amusing farce dominated by stars Pat O’Brien and Adolphe Menjou. The former plays Speed, a moderately successful garage owner. Suspecting that his wife Connie (Ellen Drew) has fallen in love with old college buddy Gordon (Rudy Vallee), Speed goes off on a bender. During a long and drunken night, he gives his clothes and his car to an old tramp named Willie the Wino (Jack Norton). With Speed as his passenger, Willie piles the car into a river. Willie drowns, but Speed is rescued by showboat entrepreneur Kismet (Menjou). When the car is recovered, it is assumed that the body inside is Speed’s. Speed wakes up thinking he’s dead because Kismet is wearing a devil’s costume (for a stage show) while stoking coal into the ship’s furnace! When he tries to get back to his wife, O’Brien is urged by kibitzer Menjou to act as a ghost to find out if her love for him is real or if she’s actually in love with Gordy, leading to a series of increasingly zany consequences.
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A young reverend and his wife are on the way from England to Australia to minister to their flock. The bishop asks him to visit an eccentric artist prone to sexual depictions and requests that he voluntarily withdraw a controversial work call “Crucified Venus” from his show. The minister, who considers himself a progressive, is shocked at the amoral atmosphere surrounding the painter, his wife, and the three models living at his estate. The minister’s wife is troubled also, and has to deal with latent sexual urges while trying to remain loyal to her husband.
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Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins’ merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?
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British Ministry agent John Steed, under direction from “Mother”, investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.
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A thief (Duke Anderson) just released from ten years in jail, takes up with his old girlfriend (Ingrid) in her posh apartment. He makes plans to rob the entire building. What he doesn’t know is that his every move is recorded on audio and video tape, although he is not the subject of any surveillance.
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While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
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