In this film, ‘Her’ refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war.
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Jessie McMullen (Sean Connery) is a widower, a tough guy and most of all, proud of his past as a career criminal (now semi-retired). He raised his son Vito (Dustin Hoffman) to follow in his footsteps, but Vito went straight once he had a son of his own, Adam (Matthew Broderick). Over the years, Vito became ashamed of his family’s criminal past. He has tried to raise his son right, which in his mind means keeping young Adam away from his deadbeat grandfather. Little does Vito know that this strategy has backfired; the mystery surrounding Jessie has caused Adam to idolize him.
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After yet another failed relationship, Mrs. Flax (Cher) ups her family to the east coast to start all over again. Reluctantly dragged along with her is her daughter Charlotte – going through a very confusing time of her life – who wants to become a nun, and instead falls in love with a quiet, mild-mannered church employee, to the mixed response of her mother. Set at around the time of the Kennedy Assassination.
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Two Americans in England–a wealthy playboy and an actress–join forces to stop international spies.
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Most gangsters would be happy overseeing a house of hookers for the mob, but not Marco. The Godson of crime boss Leo Rocca, Marco doesn’t like being a mere assistant to Mr. Danielli, the sadist who runs the prostitution rackets, so when a hooker with a habit offers to give Marco insider information if he will keep her baby sister, Barbara, out of the business, Marco sees an opportunity for advancement and violently double-crosses Danielli. Put in charge of the organizations Number One Whorehouse-which features Scandinavian sex goddess Uschi Digart as one of the working girls-the overly ambitious Marco then tries to expand into the drug business and ends up triggering a mini mob war until Rocca orders Marco and his rival to fight “a duel” at a deserted trailer park with blonde little Barbara as bait…From the director of Mantis In Lace, The Godson is an offer you simply can’t refuse.
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Colum Kennedy went with his family to an Irish village to visit the places of origin of their ancestors. Once he arrived in the village realizes that the community is populated by beastly shape-shifting beings able to transform into animals. Colum begins to feel an intense passion for a woman who can transform into a wolf and must make a choice: return to his family and bring her home or to give in to temptation.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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