A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband’s death, and finds herself not only under arrest for murder but falling in love with an officer…
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Joe Cornish writes and directs this British sci-fi comedy action adventure starring Jodie Whittaker, Luke Treadaway and Nick Frost. While being robbed by a gang of thugs outside the South London tower block where she lives, trainee nurse Sam (Whittaker)’s hooded attackers suddenly break off their assault when a meteorite hits a nearby carpark. As Sam flees the scene, the gang members fend off an attack from a small alien being that has emerged from the crash-site, killing it in the process, and carrying off their prize to their rooftop lair. But now, as Sam and the police search for the gang, a new wave of meteorites fall. With the gang emboldened by their latest victory, they prepare to face their new-found enemy, only to be confronted with an army of much larger, savagely vicious alien monsters, hellbent on finding their comrade.
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In the far future water is the most valuable substance. Two space pirates are captured, sold to a princess, and recruited to help her find her father who disappeared when he found information dangerous to the rulers. A real Space Opera with sword fights, explosions, fighting robots, monsters, bar fights and time warps.
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An erotic adaptation of Mary Shelley’s Frankenstein by the Exploitation King Jesús Franco. Moira Frankenstein (Lina Romay – Sexorcismes and Lulu’s Talking Ass) is tormented by strange dreams and by apparitions of her grandfather’s ghost, Dr. Frankenstein himself. The mad scientist teaches Moira how to finish what he started and give a second life to his creation: a female version of the Creature served with a penis to more completly fulfill all sexual desires. The Creature promises to serve as a slave to Moira if she follows the instructions left behind by her original master and provides some freshly collected human blood to revive her. The Creature and Moira enter a relationship that goes beyond servitude and sex. Their love will take them to kill forever more.
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Sigismond (Joe Dallesandro) is a man lost in an erotic haze which clouds his judgment. Early in the film, it is evident that the man has a physically passionate relationship with his wife, with whom he has a son. While on a business trip to Paris, he comes under the spell of a famous, beautiful prostitute (Sylvia Kristel) who resembles his wife. However, his efforts to monopolize her attention are not appreciated by her pimp, and he is severely beaten. When he gets a letter informing him of the death of his wife and son, he is totally devastated.
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Royal Tenenbaum (Gene Hackman) and his wife, Etheline (Anjelica Huston), had three children – Chas, Margot, and Richie – and then they separated. Chas (Ben Stiller) started buying real estate in his early teens and seemed to have an almost preternatural understanding of international finance. Margot (Gwyneth Paltrow) was a playwright and received a Braverman Grant of $50,000 in the ninth grade. Richie (Luke Wilson) was a junior champion tennis player and won the U.S. Nationals three years in a row. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. The Royal Tenenbaums is a hilarious, touching, and brilliantly stylized study of melancholy and redemption from Wes Anderson.
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London website designer Alice was happy in a stable relationship with reliable, somewhat boring Jake, but quickly dumps him after falling in love at first sight and having wild sex with an overbearing hot hunk, even before she discovers it’s the famous mountaineer Adam Tallis, a studly celebrity about whom a book is just being promoted. In no time they get married, despite anonymous warnings not to trust him. In Adam’s presence she enjoys being his slavish sex-toy, but when alone at his place can’t resist snooping into his past, thus finding out about women falling out of love with him and concluding her climbing rescuer is scarily, dangerously jealous, but she has no proof.
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