Tag Archives: spanish

young American woman named Odine is the subject of attention by a Spanish couple. They have sex while she watches, and soon invite her to join them, however it soon emerges that the couple have more than just sex on their minds
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Sol and Dani have fallen in love after their first date. But months earlier Sol, a beautiful and sensitive girl, had her dreams tragically torn apart. In spite of this she remains convinced that love is a necessity for her; for that reason she embarks on a quest for a soul-mate with whom she can share everything. The problem is that Dani is hiding a secret that can shatter Sol’s illusions.
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Diana González works for the police and successfully eliminates narco dealers. One of the narco bosses, Constantino, decides to punish her by making Diana’s sister to use drugs. This poor girl ends up dying in a S&M orgy. Now Diana is going to kill all those who wronged her with her Machinegun (La metralleta) while being pursued by drug dealers and the local police.
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Faustus is a scholar at the University of Wittenberg when he earns his doctorate degree. His insatiable appetite for knowledge and power leads him to employ necromancy to conjure Mephistopheles out of hell. He bargains away his soul to Lucifer in exchange for living 24 years during which Mephistopheles will be his slave. Faustus signs the pact in his own blood and Mephistopheles reveals the works of the devil to Faustus.
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Franco at his finest – somebody get this film on DVD now! This obscure Golden Films production got to pop the Franco-cherry on my new movie projector. It was just the right choice! Lina Romay, chubby like she just walked out of an Anders Zorn-painting, plays Irena (Female Vampire flashbacks, anybody?) who’s part of a kind of hypnosis nightclub act with the magician Fábian. He’s not a very nice guy and uses his hypnotic powers to use poor Irena as an instrument of vengeance, sleeping with and killing off his enemies. Or is the whole set up just part of her nightmares? An unusually good, hypnotic (in both meanings of the word) sleaze flick that really shows what Franco can achieve with extremely limited resources – some hotel rooms, a handful of actors (the same old faces that’s in all films from this period), a film camera and some re-used Daniel White music. Man, I really love this stripped down Golden Films stuff when it’s done right and this films is much closer in spirit to, say, Macumba Sexual than Mansion of the Living Dead. Parts of the film are almost delirious. There’s a thick, intimate atmosphere and interesting experimental photography. Some scenes are almost bordering on the poetic, for example we have a beautifully shot long kiss filmed through a glass door, bathing in sunlight. Say what you want about Lina’s acting capacity but here she gives all she’s got, somewhat reprising her roles in Female Vampire and Doriana Gray. Even though the story itself is more similar to Nightmares Come at Night. Highly recommended!
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Follows a pair of married couples, Alfie (Hopkins) and Helena (Jones), and their daughter Sally (Watts) and husband Roy (Brolin), as their passions, ambitions, and anxieties lead them into trouble and out of their minds. After Alfie leaves Helena to pursue his lost youth and a free-spirited call girl named Charmaine (Punch), Helena abandons rationality and surrenders her life to the loopy advice of a charlatan fortune teller. Unhappy in her marriage, Sally develops a crush on her handsome art gallery owner boss, Greg (Banderas), while Roy, a novelist nervously awaiting the response to his latest manuscript, becomes moonstruck over Dia (Pinto), a mystery woman who catches his gaze through a nearby window.
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Jaime, his wife Marta and their teenage daughter Isa move to a dream house in Madrid and they plan a family dinner to celebrate. Out of the blue, three violent hooded thieves break in their house and hold the Marta and Isa hostage while their leader goes to the bank with Jaime to withdraw money from the family bank accounts in a tragic night of terror.
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On the mountainous frontier between British India and Afghanistan, circa 1860s, Zarak Khan kisses Salma, the youngest wife of his father, Haji Khan. Outraged, his father orders Zarak to be flogged to death but spares his life at the urging of an elderly Mullah. Zarak now leaves his village and becomes a notorious outlaw, prompting the British to assign a Major Ingram to capture him. Zarak and Ingram have several encounters, developing a grudging respect for each other. When Ingram is captured by Ahmad, one of Zarak’s rivals, Zarak risks his life to save the British officer.
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In and around the castle Camelot, brave Cornel Wilde (as Lancelot) and virtuous Brian Aherne (as King Arthur) vie for the affections of lovely Jean Wallace (as Guinevere).
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A World War II Hollywood propaganda film detailing the dark underside of Nazism and the Third Reich set between two brothers, Kurt and Erik Franken, whom are SS officers in the Nazi party. Kurt learns and exposes the evils of the system to Erik and tries to convince him of the immoral stance that marches under the symbol of the swastika.
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