Tag Archives: spanish

During the 1950s, in a small isolated Mexican village, the local Roman Catholic priest, Father Gomez, is an older man with a broken spirit. During his tenure in the village of Quantano, he fought hard to keep his flock of parishioners, in spite of threats and intimidation from the part of local bandit Anacleto Comachi and his men. The atheistic bandit has imposed his tyrannical rule over the region for many years. The local Police cannot find any witnesses to come forward and testify to any wrongdoing from the part of Anacleto. Therefore, they cannot charge him or arrest him. The Catholic Church replaces Father Gomez with a younger, more energetic priest, Father Keogh from Ireland. Before departing the village, Father Gomez warns Father Keogh of the dangers of defying Anacleto Comachi’s authority. But Father Keogh openly defies the bandit and administers his daily priestly duties at the village church. He even manages to persuade some of the villagers to start attending church again.
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This adaptation of the Raymond Chandler novel ‘Farewell, My Lovely’, renamed for the American market to prevent filmgoers mistaking it for a musical (for which Powell was already famous) has private eye Philip Marlowe hired by Moose Malloy, a petty crook just out of prison after a seven year stretch, to look for his former girlfriend, Velma, who has not been seen for the last six years. The case is tougher than Marlowe expected as his initially promising enquiries lead to a complex web of deceit involving bribery, perjury and theft, and where no one’s motivation is obvious, least of all Marlowe’s.
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sleazy Mexican soap opera about an alcoholic, wife beating, taxi driver dad and his two hot daughters
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Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit
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Mexican-born, New York-based filmmaker Alfonso Cuarón directed this Mexican box-office smash hit about a pair of randy upper-class buddies that sparked some controversy for its frank depiction of drug use and sexual exploration. With their respective girlfriends away in Europe, Julio (Gael García Bernal) and his upper-class friend Tenoch (Diego Luna) are looking forward to a summer full of drink, drugs, and cheap meaningless sex. During a wedding, they meet Luisa (Maribel Verdú) – the 28-year-old wife of Tenoch’s scholarly cousin – and try to convince her to go on a road trip to Heaven’s Mouth, a made-up beach paradise the two claim is on the Oaxacan coast.
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A poor factory worker, employed by a wealthy uncle, falls in love with a beautiful heiress but his happiness and promising future are jeopardized by a previous affair with a coworker he impregnated.
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Four stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
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Five people heist the Camp Pendleton payroll, kidnap a pilot and his daughter, who are forced to fly them to Mexico. Enroute a double cross has one of the thieves parachute with the loot into an abandoned graveyard surrounded by strange scarecrows. Two of the team jump after their loot and their former partner. Everything happens during the course of one very dark night.
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Set in the Basque region, a story of the rivalry of two families, period 1870-1935
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The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years after Capone was imprisoned.
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