Tag Archives: japanese

Daichi no komoriuta / Lullaby of the Earth (1976) Yasuzô Masumura, Mieko Harada, Natsuko Kahara, Meiko Kaji, Drama

daichi-no-komoriuta-aka-lullaby-of-the-earth-1976
The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world, when her grandmother dies. Notwithstanding her healthy distrust of all strangers, which her upbringing instilled in her, it is not long before a cunning racketeer finds her weak point, that temptation which she cannot resist, that weakness, different as it may be, that each of us has, and brings her into his power.
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Anata-ga suki desu, dai suki desu / I Like You, I Like You Very Much (1994) Hiroyuki Oki, Chano, Kazunori Shibuya, Hisanori Kitakaze, Drama

anata-ga-suki-desu-dai-suki-desu-aka-i-like-you-i-like-you-very-much-1994
This groundbreaking drama, one of few to feature gay lifestyles in a Japanese context, is the work of writer, editor, cinematographer, director and co-star Hiroyuki Oki, an avant-garde filmmaker. In the liberal enclave of Kochi City, Japan, a gay college student, You (pronounced using two syllables as “Yo-ooh”), is living a contented life with his lover and classmate. Then he spies an attractive young man at a train station, and their meeting leads to a subsequent sexual encounter. Although You confesses his infidelity to his boyfriend and even seeks the advice of an ex-lover, he does not completely break off his new relationship, leading to a love triangle that forces each of the men to question his sexuality and identity. Running barely one hour long, I Like You, I Like You Very Much (1995) was short for a feature-length film but earned critical respect for tackling what remains an extremely sensitive cultural issue in its home country.
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Matatabi / The Wanderers (1973) Kon Ichikawa, Isao Bitô, Tadao Futami, Ken’ichi Hagiwara, Drama

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Follows the fluctuating fortunes of three friends in feudal Japan who are ronin: masterless warriors, who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. These are not the YOJIMBO Super Samurai but rather the rank and file, the spear-carriers. The irony is that even though they use the servants’ entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.
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Waga ai no uta – Taki Rentaro monogatari / Bloom in the Moonlight: The Story of Rentaro Taki (1993) Shin’ichirô Sawai, Tôru Kazama, Isako Washio, Ryo Amamiya, Biography, Drama, Music

bloom-in-the-moonlight-the-story-of-rentaro-taki-1993
In April 1895, the talented young Rentaro Taki comes to Tokyo from his home in Kyushu to enrol in the prestigious National Academy of Music. Hoping to become a pianist, he meets another student there, Yuki Nakano, who shares the same aspirations. With his elder classmate Suzuki’s encouragement, Rentaro practices furiously to perfect his technique, but loses his health in the process. Over the years, his health, as well as his devotion to and achievement level in music, fluctuates, as two friends adjust to the varying roles they can each potentially play in his life. Yuki receives the Japanese government’s first music scholarship to study in Berlin. At the same time, Rentaro composes wonderful music and songs like Bloom in the Moonlight which are still very popular in today’s Japan, while Suzuki quits the music school and becomes a hard labourer due to family crisis.
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Aoi numa no onna / Blue Lake Woman (1986) Akio Jissôji, Kotobuki Hananomoto, Janet Hatta, Saburô Shinoda, Horror

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Blue Lake Woman tells the story of Nagare, a painter who wanted to commit a lover’s suicide with Mizue, the wife of his friend and patron Takigawa. Growing afraid at the last moment, he doesn’t go through with it – but Mizue sinks to the bottom of Blue Lake. Some time later, Nagare follows an invitation by Takigawa, who claims to have forgiven everything. To Nagare’s shock, Takigawa’s new wife, Ameko, looks exactly like Mizue. While staying as Takigawa’s guest, Nagare becomes haunted by Mizue’s ghost, who wants to be reunited with him at the bottom of Blue Lake…
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Underworld Beauty (1958) Seijun Suzuki, Michitarô Mizushima, Mari Shiraki, Shinsuke Ashida, Crime, Drama, Film-Noir

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The moment he’s released from prison, the honorable gangster Miyamoto recovers the stolen diamonds he had stashed before getting pinched. When he returns to his haunt to make good by friend who took a bullet for him, he is diverted by the greedy boss Oyane and his insatiable taste for Miyamoto’s precious stones. Replete with film noir style, “Underworld Beauty” is one of Suzuki’s best nods to the American gangster genre.
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