Tag Archives: japanese

Chichi ariki / There was a father (1942) Yasujirô Ozu, Chishû Ryû, Shûji Sano, Shin Saburi, Drama

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A father and his son, a son and his father. Horikawa is a widower, a teacher, and a good father to Ryohei, who’s about 10. After a tragedy, Horikawa resigns from teaching and takes Ryohei from Tokyo to the town of Ueno, enrolling him in junior high; to the lad’s sorrow, he will be a boarder. Horikawa returns to work in Tokyo, their separation is complete. Jump ahead more than ten years: with dad’s help, Ryohei has finished college and has a teaching job in Akita. Horikawa considers living with his son, which Ryohei wants, but the elder’s notions of duty and hard work preclude it. Ryohei arranges a ten-day vacation with his father. Heartbreak comes quietly, nearly hidden by dignity.
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Moon Over Tao / Tao no tsuki (1997) Keita Amemiya, Toshiyuki Nagashima, Hiroshi Abe, Yûko Moriyama, Action, Fantasy

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A retired warrior comes to see his former lord and learns that someone is making indestructible swords from some unknown metal. He is sent together with a swordsman to investigate the source. Along the way they meet a young girl working as a beekeeper. She is later witness to the appearance of three strange females from another dimension.
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The Clone Returns Home / Kurôn wa kokyô wo mezasu (2008) Kanji Nakajima, Mitsuhiro Oikawa, Eri Ishida, Hiromi Nagasaku, Drama, Sci-Fi

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The Clone Returns Home is a compelling meditation on the paradox of life and death, and the meaning of love and family. Set in an imaginary – yet utterly imaginable – future, this quietly provocative film skillfully transposes complex emotional drama into the realm of science fiction by exploring the influence of technology on human memory and experience. Filled with stunning imagery and haunting stillness, The Clone Returns Home deftly combines subtly nuanced sci-fi with a uniquely Japanese perspective on the universal themes of family, life, love, and death.
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Violent Cop / Sono otoko, kyôbô ni tsuki (1989) Takeshi Kitano, Maiko Kawakami, Makoto Ashikawa, Action, Crime, Drama

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Detective Azuma is a Dirty-Harry style rogue cop who often uses violence and unethical methods to get results. While investigating a series of drug-related homicides, Azuma discovers that his friend and colleague, Iwaki, is supplying drugs from within the police force. After Iwaki is murdered and Azuma’s sister is kidnapped, he breaks all the rules to dish out his particular form of justice.
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Dororo (2007) Akihiko Shiota, Satoshi Tsumabuki, Ko Shibasaki, Kiichi Nakai, Action, Fantasy, Horror

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In the year 3048, the wounded Lord Kagemitsu Daigo proposes a deal to rule the whole world to forty-eight demons in their sealed temple. In return, the demons ask forty-eight parts of the body of his unborn son. When the mutilated baby is born, his mother puts him in a basket in the river flow to save his life. The baby survives and becomes the demon slayer Hyakkimaru that slash demons to retrieve his body parts. During his journey, he meets the female thief Dororo, who was raised as a boy after the death of her parents by the evil Lord Daigo, in a small town and she befriends Hyakkimaru and joins him in his quest seeking revenge against the Daigo’s clan.
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Yume / Akira Kurosawa’s Dreams (1990) Akira Kurosawa, Ishirô Honda, Akira Terao, Mitsuko Baishô, Toshie Negishi, Drama, Fantasy

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Unfolding in a series of eight mythic vignettes, this late work by Akira Kurosawa was inspired by the beloved director’s own nighttime visions, along with stories from Japanese folklore. In a visually sumptuous journey through the master’s imagination, tales of childlike wonder give way to apocalyptic apparitions: a young boy stumbles on a fox wedding in a forest; a soldier confronts the ghosts of the war dead; a power plant meltdown smothers a seaside landscape in radioactive fumes. Interspersed with reflections on the redemptive power of creation, including a richly textured tribute to Vincent van Gogh (who is played by Martin Scorsese), Akira Kurosawa’s Dreams is both a showcase for its maker’s artistry at its most unbridled and a deeply personal lament for a world at the mercy of human ignorance.
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Tokugawa onna keizu / History of the Shogun’s Harem (1968) Teruo Ishii, Masako Arisawa, Kemi Ichiboshi, Mari Iwai, Drama, Exploitation, Erotic

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The fifth shogun searches for a woman who would love him for the person he is, and not because of his title and rank. With over a hundred women to choose from,who will bare him a son and become number one? A tragic love story involving the fifth shogun of the tokugawa dynasty and a woman who became one of his concubines.
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