Tag Archives: english subtitles

The moment he’s released from prison, the honorable gangster Miyamoto recovers the stolen diamonds he had stashed before getting pinched. When he returns to his haunt to make good by friend who took a bullet for him, he is diverted by the greedy boss Oyane and his insatiable taste for Miyamoto’s precious stones. Replete with film noir style, “Underworld Beauty” is one of Suzuki’s best nods to the American gangster genre.
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J.KESSELS is both a hilarious road movie and a bittersweet trip down memory lane, a crazy ride in a flame-adorned Plymouth Gold Duster from provincial Holland to Hamburg’s Reeperbahn and back. And a hallucinatory trip through the mind of an author, who no longer knows if his novel is a product of his own imagination, or if he is actually living it. The lead character is Kessels, a chain smoking tough guy with a heart of gold. Kessels and Frans are ageing youngsters who like nothing better than to consume nicotine, beer and country & western music. However, in Frans’ novels Kessels and he are fearless crime fighters: heroes even, but the world around them is unaware of it. Heroes who create a flurry of misunderstanding at every step. Frans accepts the assignment for Kessels and him to kidnap a philandering criminal in Hamburg and return him to his wife, because the caller is the younger brother of BB, or Brigitte, once the focus of little Frans’ prepubescent sexual dreams and awakening…
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This Spanish/French film presents a loving ode to a woman’s breasts and the three men who love them. The fairy tale is told from the viewpoint of 9-year old Tete, who jealous of his new brother’s access to his mother’s breasts, implores the moon to give him a nurturing breast of his own. French cabaret performers Estrellita, the Queen of Stuttgart, and her jealous husband Maurice, come to town with their surprisingly vulgar act. When Tete sees Estrellita, he knows his wish has been granted. Trailer-park electrician Miquel is also very attracted to Estrellita’s charming chest and begins serenade her. Tete gets to sample her charms after he brings her a frog.
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When a space probe crash-lands on a far-flung Pacific atoll, the craft’s alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters – a squid, a crab and a snapping turtle – and transform them into colossal mutant monsters.
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Determined to no longer work for anyone else, Jérôme tries to set up his own company, no matter the cost and despite his wife’s reluctance. Ugo, their 11-year-old son, plays tennis and wants to become a champion. To do so, he must get into the French national tennis training school at Roland Garros.
Like his father, Ugo is ready to do anything to achieve his aims. Together, Ugo and Jérôme come to learn that you can’t bend the rules in order to succeed.
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Tam, a timid loner, is bullied regularly by his fellow pupils at school. He is met with similar rejection and suspicion within the narrow confines of his parents’ dingy home, where his father beats him. One day Tam arranges online to meet Phum at a derelict swimming pool. They are both looking for sex, but their encounter leaves them with a feeling of comfort and security. A close bond develops between the two boys and, before long, they are roaming the rubbish heaps and dark corners of the city together, day and night. Phum opens a door for Tam, revealing a fantastical parallel universe full of spirits and dangerous encounters. Although he feels safe and loved for the first time in his life, Tam can no longer differentiate between dream and reality and finds himself increasingly drawn into a spiral of paranoia and violence. In his feature debut Boonyawatana leads his protagonist into an ambiguous microcosm full of chasms, at the same time cleverly toying with the conventions of different genres.
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Fernando arrives at the island of Menorca and gets embroiled in the comedic misadventures of various of its inhabitants.
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Jonas is already head of the family at just 12 years of age. He has been helping his two younger siblings and supporting his mother, Sabine, since his father left. Sabine is very loving towards her children but she often loses her patience and disappears into her room for the day. Mysterious demons drive her to spend a weekend away to relax in the “sunny valley”. But the weekend grows into weeks in which the three children hear nothing from their mother. Food and money have long since run out, the house has become more and more like a haunted castle: a spiderweb house. Jonas tries his best to maintain the appearance of an intact family. On the hunt for something to eat, he meets a young man, Felix Count of Gütersloh, who speaks in rhymes and declares himself to be not quite right in the head. Rather like a guardian angel, he takes Jonas under his wing and shows him how to get by in a world without adults. The film is less a social drama than a modern-day fairy tale shot in black and white. The audience is immersed in the eerily beautiful world of the children which unfolds its own particular magic.
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Huzur Biswamghar Roy is a rich landowner who lives in a palace with his wife and son and his many servants. His passion – his wife would call it his addiction – is music and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. His wealth is in decline however. His lands are being eroded by the local river and he pays for the concert he arranges for his son’s coming of age party by selling some of the family jewels. When his neighbor Ganguli invites him to a party at his house, Roy decides to one up him and organizes a lavish party for the same day – costing him the last of the jewels. After his wife and son are killed in a storm, Roy becomes something of a recluse, closing up the music room. Now, many years later he decides to have one final concert, spending the last of his money to again outdo – and spite – Ganguli.
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A classic Risi of the late 60s. This time his biting humor doesn’t deal with social or political issues but seven situations leaning on absurdity.
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