Tag Archives: english subtitles

This groundbreaking drama, one of few to feature gay lifestyles in a Japanese context, is the work of writer, editor, cinematographer, director and co-star Hiroyuki Oki, an avant-garde filmmaker. In the liberal enclave of Kochi City, Japan, a gay college student, You (pronounced using two syllables as “Yo-ooh”), is living a contented life with his lover and classmate. Then he spies an attractive young man at a train station, and their meeting leads to a subsequent sexual encounter. Although You confesses his infidelity to his boyfriend and even seeks the advice of an ex-lover, he does not completely break off his new relationship, leading to a love triangle that forces each of the men to question his sexuality and identity. Running barely one hour long, I Like You, I Like You Very Much (1995) was short for a feature-length film but earned critical respect for tackling what remains an extremely sensitive cultural issue in its home country.
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Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister?
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In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all the privileges. Some, like Franz, are like ordinary police fighting against drug dealers. But Franz would soon find that some of his friends are on the other side.
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An English mother and teenage son spend a week in the South of France breaking up a summer home that has become one of the casualties of the boy’s parents’ crumbling marriage. Matters only become more complicated when an enigmatic local boy enters their lives.
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A youth group is preparing for what the summer of their lives will be, including secrets, lies, pickups, sex, confusion, and especially great night party. Most teenagers are not aware that once you begin this journey of initiation, you can not turn back, and often the lies will become increasingly large, and sometimes love means to hurt.
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As a twelve-year-old boy, Nicola de Leo already knew she wanted to become a woman. Today, the now forty-year-old transsexual lives in Venice and has changed her name to Nicole. She has undergone a hormone treatment and grown breasts, but she still lives inside the body of a middle-aged man, including a penis, a beard and a substantial Adam’s apple. This is why Nicole is applying for a sex change through official channels. ‘I never thought it would be so hard. I thought making the decision was enough,’ she says. During five tense years, Nicole fights her emotional and physical struggle in the presence of director Alberto Vendemmiati’s camera. Working as an actress, a seller of carnival masks and a prostitute, she finances her cosmetic treatments and looks forward to the subsidised sex change operation. Meanwhile, she turns to her elderly mother for support, who has a hard time accepting that her son will soon be a daughter.
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Louise Traon never films Manoel De Oliveira directly. Instead, she chooses to avoid him, skirt round him, skim past him and keep her distance, yet all the while drawing close to the art of cinema itself, homing in on its very essence. Her film tells the story of a girl who grew up with the images of an old gentleman, and who now wants to show her own images. This touching self-portrait gives insight into a man who appears to have lived many lives, showing his work through a remarkable link with time.
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A man has everything: dozens of servants, a palace, vast woods, gardens, a lake, mechanical toys, private entertainment troupes of musicians and dancers. He has it all – but love. When alone, he sits at a desk, sighing, and looking at a photograph of a pretty girl. One day, the circus descended onto his palace, and amidst all the fun it brought, he recognized the Amazon on the white horse – the girl in the photograph. The girl is now the mother of a small boy, Yo-Yo, whom she considers that looks like the millionaire, even under a clown’s make-up. The boy will spend some time in the palace, in awe of so much riches, but he will leave (in a dream-like scene) on the tusks of the elephant. Time passes – and one day Yo-Yo will be the owner of his father’s palace in decay. Starting from scratch, he will rebuilt it, and be praised as a great clown, an artist, a film-maker, a millionaire.
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Roos Hartman is a young doctor who lives with her son in a large apartment complex. When a fellow tenant is brutally murdered, the police and Hartman’s friends suspect her mysterious neighbour, Eric Coenen. As she becomes romantically involved with Coenen, she doubts he would commit such a crime, but soon she begins to investigate the case further and discovers some startling facts relating to his involvement…
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An all-black Caribbean island resort welcomes flashy dancer Gertie La Rue, forced to perform in this remote spot because she two-timed Al, her Harlem lover and backer, once too often. As Gertie amuses herself by dazzling the local men with her sex appeal, sanctimonious Mr. Christian (shades of ‘Rain’) schemes to either reform her or have her thrown off the island. On opening night, her sensuous performance exceeds Christian’s worst fears…but more serious trouble awaits.
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