Tag Archives: english subtitles

The Kobayashi family finally get the chance to move out of their tiny, cramped Tokyo apartment in favour of the suburban house of their dreams. But all is not well: the house is infested by termites and the family starts cracking up: Son Masaki is studying so obsessively for his exams that he’s losing his mind; daughter Erika is oblivious of all but her forthcoming record company audition, grandfather Yasukuni starts getting World War II flashbacks and father Katsuhiko is so worried about his family’s “sickness” that he thinks can only be cured by group suicide…
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Youth Never Returns is a 2015 Chinese romantic comedy film directed by Tian Meng and produced by Manfred Wong, and starring Hans Zhang and Joe Chen. The film is an adaptation of Gu Wei’s novel of the same name.
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In Faraway, So Close! angels watch over the people of Berlin. The world weighs heavily upon these men and women. Their attachment to things diminishes their desire for the invisible. As one angel laments, “It’s so exhausting to love people who run away from us.”
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When Allan becomes a quadriplegic he loses all hope for living until he meets Ella – a monkey trained to fetch and carry for him around the house, obeying him in all things. But Ella is part of another experiment, and when she starts responding to Allan’s underlying rage and frustration she has the ability to carry out her master’s darkest wishes.
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Since their parents’ death in a car accident, Jang-Woo (Joo Won) has taken care of his younger teen sister, Eun-Ji (Ryoo Hye-Young). He watches over her almost too protectively. One night, Jang-Woo goes out and when he returns he finds Eun-Ji missing. Later, Jang-Woo notices a suspicious fellow lurking in the background. He gives chase.
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Sarah is a blind girl who has returned to her home, a country manor in which all of the occupants are dead. She unknowingly sleeps overnight, among a houseful of corpses, arising the next morning to quietly creep out of bed, in order not to awaken the other members of the household.
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Daro un Milione was another felicitous collaboration between director Mario Camerini and his favorite star Vittorio de Sica. Read More »

The story of men devoted to the yakuza lifestyle and their struggles during a time of fading yakuza power.
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Following Shark!, Sam Fuller’s luck getting films funded didn’t change much; Dead Pigeon on Beethoven Street is Fuller’s only film of the ’70s. Technically, it’s not even a proper film, but if you didn’t know it was made as an episode of the German cop series Tatort (which is amazingly still running), you’d never have guessed it. Where American television stifled Fuller’s creative spirit and made him conform to the norms of whatever show he was working on, the producers of Tatort allowed Fuller the freedom to make whatever he wanted. He took this freedom and ran with it, crafting a unique, exciting picture unlike anything else in the Fuller catalog. Part crime thriller, part farcical comedy, Dead Pigeon on Beethoven Street is a hidden gem in Fuller’s filmography.
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A Choice between Loyalty or Duty of the Samurai! Can the heartlessness of society crush the honor of an individual? In the spring of the 18th year of Kanei (Feb/30/1624 – Dec/16/1644), Hosokawa Tadatoshi, feudal lord of the Higo area, died. Although Tadatoshi forbade his vassals to follow him in death before he died, they still committed seppuku one after the other. The new feudal lord, Mitsunao, Tadatoshi’s son, also gave the order forbidding seppuku. Abe Yaichiemon obeyed his former lord’s last wish but is now being called a coward by his comrades and finally decided to follow Tadatoshi in death in order to save his family’s honor. Mitsunao, upset by Yaichiemon actions, punished the Abe family unfairly. Objected to this, the Abe family shut themselves up in their manor as the lords troops moved in… This is the true story of what happened within the Hosokawa clan in early Edo era. A masterpiece by director Kinji Fukasaku that boldly depicts the struggle between humanity and the code of the Samurai.
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