Tag Archives: 2000s

Daft Punk’s Electroma is an odyssey of two robots who journey across a mythic American landscape of haunting, surreal beauty on a quest to become human. Their symbolic quest, which takes them from endless two lane highways to small idyllic towns to the arid desert, finds Daft Punk once again resisting conformity and developing new ways to highlight their inventive vision. A silent feature-length film that made its international debut at the 2006 Cannes Film Festival, Electroma will interest Daft Punk fans and film enthusiasts alike. With its breathtaking cinematography, innovative filming techniques, and above all its underlying search for humanity within a dystopian environment, Daft Punk have delivered a film that finds a common thread with their previous work while exploring new horizons as directors of their first feature film.
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A man calling himself Jin-young walks into a police station to report a missing person: himself. Starting at the end of the story, Jin-young is revealed to be be Suk-won, a lawyer suffering severe memory loss and a total change of character. Formerly ruthless and calculating, the amnesiac Suk-won is kind and gentle; completely unlike the man his colleagues want for the important trial of their highest billing client, Mrs. Kim. In order to appease his firm, Suk-won goes to see a psychiatrist. At the hospital he meets Jin-young, a skittish woman he is inexplicably drawn to even as she does her best to steer clear him. As Suk-won investigates both his own past and Mrs. Kim’s case the tragic truth of his and Jin-young’s enduring connection to each other is revealed, bringing Suk-won full circle in a story of loss and the pain of remembrance.
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On the one hand you have Judith Zahn, an arrogant, snobbish, bitchy Parisian editor. On the other hand meet Julien Demarsay: an insecure, timid, young bookseller from the East of France who has just written his first autobiographic novel, with what it takes of navel-contemplating and soul-searching. What do they have in common? Nothing much, except that sex will unite them, ambition part them before true love is born between them at last.
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In this sly comedy, six of the world’s worst gangsters managed to heist $2 million, but only one got away. Now after four years in the clink, five bumbling thieves from Montreal are forced to walk the famous Camino pilgrimage in Spain to prove they’ve changed their ways and deserve their cut of the loot.
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In the early 1970s, with Greece under the rule of a military junta, pre-teen Stavros discovers a strange accompaniment to the awakening of eros: he subverts the meanings of classical myths, creating strange physical symptoms in those around him. Stavros’ conservative parents, perplexed and flustered, take him from specialist to specialist. Diagnoses vary, until a fortune-teller deems that the boy is victim of a rare, ancient disease, which exhibits himself when he is in love. After the collapse of the junta, as Stavros meets the toils of love and politics in university, the influence of his strange affliction extends, from his immediate environment into the political arena.
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‘Three hundred men’ is one long night at Saint Jean de Dieu, in Marseille. The center welcomes and confines three hundred homeless men every night over the winter. This documentary is neither the description nor the chronicle of the life of a shelter. It portrays humanity reduced to its essence, when only remain speech, humor, anger or madness to affirm that one still exists.’
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Filmmaker Roger Nygard roams the globe to the source of each of the world’s philosophies, religions, and belief systems. He interviews spiritual leaders, scholars, scientists, artists, pizza chefs, and others who have influenced, inspired, or freaked out humanity.
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Enron dives from the seventh largest US company to bankruptcy in less than a year in this tale told chronologically. The emphasis is on human drama, from suicide to 20,000 people sacked: the personalities of Ken Lay (with Falwellesque rectitude), Jeff Skilling (he of big ideas), Lou Pai (gone with $250 M), and Andy Fastow (the dark prince) dominate. Along the way, we watch Enron game California’s deregulated electricity market, get a free pass from Arthur Andersen (which okays the dubious mark-to-market accounting), use greed to manipulate banks and brokerages (Merrill Lynch fires the analyst who questions Enron’s rise), and hear from both Presidents Bush what great guys these are.
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Lily and Max have been married for more than 50 years. Now they live together in a nursing home, where Max has been reliant on professional care since his stroke. Lily has been putting her own needs aside and is desperately longing for excitement and intimacy in her life. When a man known as “the Pilot” moves in next door, Lily is immediately charmed by him and his passion for life. But neither her family nor the other residents at the nursing home are fond of her new acquaintance. Misunderstood by her family and trapped in her life with Max, Lily decides to fight to escape the bars of her invisible prison and claim her freedom.
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On a hot summer night in Brooklyn, singles and couples converge in a brownstone apartment to flirt, fight, hook uo and break up. A dreamy comedy-drama about sex, love and freedom, “Home” packs a lot of stories into just two floors.
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