Tag Archives: 2000s

Self-declared aspiring writer Hank Chinaski has neither qualifications, ambition nor ethics. Any dead-end job he lands is soon lost through laziness or mischief. His relationship with fellow deadbeat Jan gets strained to crisis through her insecurity, so he even gives up betting on horses which brought in easy money.
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The course of true love does not run smoothly for two young lads in Norman’s Cozy Welsh campsite in the mid 80s. Paul, an innocent northerner from Rochdale, meets George, a jack the lad, nervy young man from London. Paul has come on holiday with his domineering mum Denise and her attempts to control him, though comic, throw him further into thrall with George. Both teenagers dream of escape but their dreams go through many ups and downs in the course of Dream On.
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The talented Craig Jordan plays Nate, a college graduate whose life plans change after he has to move back in with his mother following the death of his father. Through flash backs we get a rather brief sampling of his maternal bond, but there is just enough to discover the true focus of the drama—his undying love for his brother, Steven. Michael E. Pitts portrays the sibling who returns home to comfort his brother and share the grieving process, knowing all too well that their time together could rekindle a physical affection they’ve shared since puberty.
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The gay screenwriter Robert, who is grieving the recent loss of his lover, writes a screenplay based on his biography and tries to sell it to the Hollywood producer Jeffrey. He offers one million dollars for his work, provided changes in the story replacing the dying man per a woman to make a commercial film. Jeffrey shows the screenplay to his wife Elaine, who loves to write and to plant flowers, and she is also delighted with the story. Robert works introducing the required modifications and Jeffrey, who is bisexual, has an affair with him. Meanwhile Elaine finds the gay website where Robert writes and she creates a fake profile to have conversation with him pretending that she is his deceased lover. Soon she learns the affair of her husband and she decides to leave him. But when the gay Robert discovers the truth, he has a breakdown and takes vengeance for Elaine with tragic consequences.
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Based on the novel by Andy Zeffer, “Going Down in LA-LA Land” is a riveting and uncensored look at Hollywood. It is a story that reveals how friendships sustain us and keep us going. It is a tale that reflects our celebrity-obsessed culture. It is a revealing look at some people’s desire to be loved, adored, and adulated at any cost. Readers have grown to adore the flawed and imperfect, yet earnest and likable characters of Adam and Candy. Now movie audiences will have the same opportunity to follow their rocky ride through Hollywood, and all the laughs that go along with it.
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An English mother and teenage son spend a week in the South of France breaking up a summer home that has become one of the casualties of the boy’s parents’ crumbling marriage. Matters only become more complicated when an enigmatic local boy enters their lives.
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A youth group is preparing for what the summer of their lives will be, including secrets, lies, pickups, sex, confusion, and especially great night party. Most teenagers are not aware that once you begin this journey of initiation, you can not turn back, and often the lies will become increasingly large, and sometimes love means to hurt.
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As a twelve-year-old boy, Nicola de Leo already knew she wanted to become a woman. Today, the now forty-year-old transsexual lives in Venice and has changed her name to Nicole. She has undergone a hormone treatment and grown breasts, but she still lives inside the body of a middle-aged man, including a penis, a beard and a substantial Adam’s apple. This is why Nicole is applying for a sex change through official channels. ‘I never thought it would be so hard. I thought making the decision was enough,’ she says. During five tense years, Nicole fights her emotional and physical struggle in the presence of director Alberto Vendemmiati’s camera. Working as an actress, a seller of carnival masks and a prostitute, she finances her cosmetic treatments and looks forward to the subsidised sex change operation. Meanwhile, she turns to her elderly mother for support, who has a hard time accepting that her son will soon be a daughter.
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Louise Traon never films Manoel De Oliveira directly. Instead, she chooses to avoid him, skirt round him, skim past him and keep her distance, yet all the while drawing close to the art of cinema itself, homing in on its very essence. Her film tells the story of a girl who grew up with the images of an old gentleman, and who now wants to show her own images. This touching self-portrait gives insight into a man who appears to have lived many lives, showing his work through a remarkable link with time.
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In an indefinite time somewhere in the Arctic with Soviet soldiers, the nomads Saiva and her stepdaughter Anja are permanently moving seeking a safe place in the arctic tundra. They camp in a remote area far north where Saiva believes they will be safe and survive fishing and hunting reindeer and small animals. Their lives change when Saiva finds Loki, a frozen stranger that is dying in the ice. Saiva brings him to their tent and recalls when she met her boyfriend and his tribe; how soviet soldiers have slaughtered them and raped her; and how she rescued Anja and killed the aggressors. When Loki is recovered, he and Anja fall in love with each other, affecting her relationship with Anja.
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