Tag Archives: 1990s

The Acid House (1998) Paul McGuigan, Stephen McCole, Maurice Roëves, Garry Sweeney, Comedy, Drama

The Acid House (1998)
Three twisted tales from the seamy side of Scotland and the mind of Irvine Welsh. The Granton Star Cause: in the same day a young Leith lad is dumped by his football team, his girlfriend and his parents, arrested and beaten up by the police and turned into a fly by God, whom he meets in a pub. The Soft Touch: a man is too soft to do anything when his wife moves in with the thug upstairs. The Acid House: while tripping on acid, Coco Bryce is struck by lightning, causing him to switch bodies with a newborn baby.
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Stalingrad (1993) Joseph Vilsmaier, Dominique Horwitz, Thomas Kretschmann, Sebastian Rudolph, Drama, War

Stalingrad (1993)
“Stalingrad” follows the progress of a German Platoon through the brutal fighting of the Battle of Stalingrad. After having half their number wiped out and after being placed under the command of a sadistic Captain, the Lieutenant of the platoon leads his men to desert. The men of the platoon attempt to escape from the city which is now surrounded by the Soviet Army.
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Love Kills (1991) Brian Grant, Virginia Madsen, Lenny von Dohlen, Erich Anderson, Mystery, Action, Crime

Love Kills (1991)
Glamorous fashion photographer Rebecca is getting even. Angered by her husband’s infidelity, she takes a lover – a mysterious hunk she fist met during a photo shoot. He’s exciting. He’s handsome. And, after a night of lovemaking, he confesses he’s a hit man hired by her husband to kill her. The stranger also says he’s had a change of heart and wants to be Rebecca’s protector. But Rebecca’s husband, a renowned psychologist, insists the man is a former patient with a hidden, twisted agenda. Both men can’t be right. Both could be lying. As the circle of suspense closes in on her, one thing is clear to Rebecca. Any choice she makes could be more than wrong…it could be fatal.
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Une liaison pornographique / An Affair of Love (1999) Frédéric Fonteyne, Nathalie Baye, Sergi López

Une liaison pornographique (1999)
They recount their impressions to the Interviewer. They met through a magazine ad, She and He. They corresponded through the Internet. He responded to her ad seeking someone to fulfil her fantasy for “a pornographic affair”. This is their first meeting in a Paris café. He’s a little reticent. She wants to know whether or not he’s hairy. (He is; he’s Spanish.) They retire to a nearby hotel room. The door of the room closes. Unseen, the affair is consummated… They continue to see one another regularly each week. They find they get along well together. Soon she suggests that they try normal sex the next time…
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Tito i ja / Tito and Me (1992) Goran Markovic, Dimitrije Vojnov, Lazar Ristovski, Predrag Manojlovic

Tito i ja (1992)
The story of a ten years old boy who, as most of the children in Yugoslavia of the fifties can hardly imagine his life without the great national leader – marshal Tito. In his school, he wins the contest for the best Tito’s composition. His reward is the participation in “Tito’s native land” march. He claims in his work that he loves Tito more than his Dad and Mom, which makes them desperate. He does not understand what is so confusing and weird in his love towards the leader. This march will be a difficult temptation for him. Unaccustomed to nature, walks and independent living, harassed by the teacher, Stalinist, he fails, gets lost in the mountain and his life changes.
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L’assedio / Besieged (1998) Thandie Newton, David Thewlis, Claudio Santamaria, Bernardo Bertolucci

Besieged (1998)
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
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