Tag Archives: 1990s

A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can’t name – a quest that slowly begins to undermine his certainties.
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The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she’s adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
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In this tribute to the old time spaghetti westerns with a liberal dose of modern Hong Kong film-making thrown in, Emilio Estevez assumes Clint Eastwood’s “man with no name” role. Estevez plays a super-quick gunman on the run from a rancher (Long) and his men out to kill him for killing his son. The gunman gets mixed up with a former Confederate soldier (William Forsythe) who has knowledge of hidden gold. The only trouble is he is also pursued by Union soldiers. When they free a man (Ed Lauter) with part of the map to the gold, they then are also pursued by Spanish soldiers. It all leads to a small Mexican town terrorized by soldiers and led a by a good priest (Joaquim De Almeida) who also has knowledge of the gold.
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This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.
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Wed just as war breaks out, Jeanne hardly gets to know her military husband, Louis, before the debacle of 1940. Read More »

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In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that’s right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there’s a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears.He teaches Olda how he can resist this magic force and how he can fight it.
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Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country’s history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
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Beautiful, young Irne St. Claire enlists Holmes’ and Watson’s help for her father, a former veteran of the Great Indian Mutiny, who has become a hopeless opium addict. His drug dependence is a direct result of guilt and fear arising from a blood pact of secrecy made during the siege of Agra in 1857 in which he was party to the theft of a maharajah’s treasure, murder, and betrayal. When an avaricious co-conspirator dies under mysterious circumstances, St. Clair is certain that the curse will strike him next.
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A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother’s family. Now that the stage is set, the mother wants to return to life by taking over her daughter’s body.
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