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Set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease, giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from “normal” and “healthy” humans, the world is pushed to the brink of worldwide civil war aimed at the destruction of the “diseased” population. In the middle of this crossed-fire is – an infected beautiful woman – Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.
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Francis Ng stars as Chic, who helps his friend Che (Ngai Sing), a Taoist ghostbuster, with various assignments. They both owe gambling debts to the nasty mobster Rabid Hsiung (Tommy Wong), so they’re in desperate need of money, leading them to take on a request from the elderly Taoist master Tang (Richard Ng) to help him capture the Banana Spirit. On a late-night search, the trio is frightened by a demon as well as awakening the Banana Spirit, Muyung Yu-Yu, who takes the earthly form of a beautiful model and seduces Chic. Chic and the ghost become lovers, and she saves his life when he is shot at by mobsters as well as helping him win a great deal of money at one of Rabid Hsiung’s casinos. Hsiung figures out that Yu-Yu has special powers, which he attempts to use for his own benefit, but Chic kills him before he can realize his plans. Unfortunately, Hsiung rises from the grave as a clownish evil spirit looking for revenge, and Yu-Yu’s allotted time on Earth is quickly running out. Lam Ching-ying and Yip Wing-cho co-star in the lively romp.
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Anna is a modern, independent single girl, focused on her job and wary of getting caught in romantic relationships. Her life is all about fun. Strangers without strings. No commitment, no casualties. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna’s views on love and commitment. But then an old boyfriend happens to knock on her door: Johan, the very man who five years previously broke Anna’s heart. Anna is tempted. It’s not good. More than ever, she needs to get back on the merry-go-round and move on. Fortunately, she receives an offer to design costumes for a theatre in Paris. As far away from romantic temptation as possible — right?
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When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can’t believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life.
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On Halloween in 1963, Michael Myers murdered his sister, Judith. In 1978, he broke out to kill his other sister, Laurie Strode. He killed all of her friends, but she escaped. A few years later, she faked her death so he couldn’t find her. But now, in 1998, Michael has returned and found all the papers he needs to find her. He tracks her down to a private school where she has gone under a new name with her son, John. And now, Laurie must do what she should have done a long time ago and finally decided to hunt down the evil one last time.
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The story evolves around the main character, Zhou Mo Wan who writes a novel about a mysterious train that leaves for a place called 2046 every once in a while. Everyone who boards that train has the same intention – which is to recapture their lost memories. It is said that in 2046, nothing ever changed. Nobody knows for sure if it was true, because nobody who went there had ever come back- except for one. He had been there but He chose to leave. He wanted to change.
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Little girl, Do-hee (Kim Sae-ron) is pushed to the end of her life, chief police Yeong-nam (Bae Doona) tries to protect her and so does her step father, Yong-ha (Song Sae-byeok). Yeong-nam experiences a case that turns her wholel world apart by meeting Do-hee.
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One of the rare American films directed by Danish auteur Benjamin Christensen, Mockery stars Lon Chaney Sr. as a half-witted Russian peasant. On the verge of starvation, Chaney is hired to guide a beautiful countess (Barbara Bedford) through the treacherous Siberian wastes. Once he arrives at the countess’ home territory, Chaney is swept up by the Bolshevik movement. He comes to despise the aristocracy in general and the countess in particular, but the young woman’s kindness towards him weakens his revolutionary resolve. Long thought lost, Mockery was rediscovered and preserved in the mid-1970s; the film was based on a story by Stig Esbern.
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Fed up with the the insufferably cruel behavior of Louis XIV (Richard Chamberlain), a group of musketeers plot to replace the king with his twin brother, Philippe (also Chamberlain). They kidnap Phillipe and temporarily lock him in the Bastille, where he is inevitably recognized as a dead ringer for Louis. Word gets back to the king and, fearing for his safety, he decides to have his brother locked in an iron mask and subsequently imprisoned for life.
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When drag queen Anthony (Hugo Weaving) agrees to take his act on the road, he invites fellow cross-dresser Adam (Guy Pearce) and transsexual Bernadette (Terence Stamp) to come along. In their colorful bus, named Priscilla, the three performers travel across the Australian desert performing for enthusiastic crowds and homophobic locals. But when the other two performers learn the truth about why Anthony took the job, it threatens their act and their friendship.
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