The Man Who Would Be King (1975) John Huston, Sean Connery, Michael Caine, Christopher Plummer, Adventure

The Man Who Would Be King (John Huston, 1975)
This adaptation of the famous short story by Rudyard Kipling tells the story of Daniel Dravot and Peachy Carnahan, two ex-soldiers in India when it was under British rule. They decide that the country is too small for them, so they head off to Kafiristan in order to become Kings in their own right. Kipling is seen as a character that was there at the beginning, and at the end of this glorious tale.
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The French Lieutenant’s Woman (1981) Karel Reisz, Meryl Streep, Jeremy Irons, Hilton McRae, Drama, Romance

The French Lieutenant's Woman (Karel Reisz, 1981)
A film is being made of a story, set in 19th century England, about Charles, a biologist who’s engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters.
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Bank Holiday (1938) Carol Reed, John Lodge, Margaret Lockwood, Hugh Williams, Drama

Bank Holiday (Carol Reed, 1938)
A 1930s British summer Bank Holiday starts at midday on Saturday with a rush for the trains to the sea-side. Doreen Richards under the name Miss Fulham is off with friend Milly to a beauty contest. Geoffrey and nurse Catherine Lawrence have decided to spend an illicit week-end in the Grand Hotel, although Catherine’s mind keeps turning back to the hospital case she was working on. Arthur, May and the children are set on a more straight-forward excursion of sea, sand, and pub. Meanwhile, the manager and performers of the “Follies” on the pier pray for rain.
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The North Star (1943) Lewis Milestone, Anne Baxter, Dana Andrews, Walter Huston, Drama, Romance, War

The North Star (Lewis Milestone, 1943)
In a peaceful Ukrainian village, the school year is just ending in June 1941. Five young friends set out for a walking trip to Kiev, but their travels are brutally interrupted when they are suddenly attacked by German planes, in the first wave of the Nazi assault on the Soviet Union. When the village itself is attacked and occupied, most of the men flee to the hills to form a guerrilla unit. The others resist the Nazis as well as possible, but soon the village is placed under the command of a Nazi doctor who begins using the town’s children as a source of constant blood transfusions for wounded German soldiers. Meanwhile, the small group of young persons tries desperately to take a supply of firearms to the guerrillas.
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The Killing of a Chinese Bookie (1976) John Cassavetes, Ben Gazzara, Timothy Carey, Seymour Cassel, Crime, Drama, Thriller

The Killing of a Chinese Bookie (John Cassavetes, 1976)
Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He’s laconic, a Korean War vet, and a gambler. When we meet him, he’s making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren’t so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer’s mother, and the club’s singer, Mr. Sophistication.
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Shiawase no kiiroi hankachi / The Yellow Handkerchief (1977) Yôji Yamada, Ken Takakura, Chieko Baishô, Kaori Momoi, Comedy, Drama

Shiawase no kiiroi hankachi (Yoji Yamada, 1977)
The story starts with Kinya, who has recently upgraded his car. He’s a young adult and he’s single so naturally he uses his ride to ahem, look for companions. He offers a ride to a shy girl by the name of Akemi and she reluctantly accepts. From the get go, sexual tension is apparent, but things get a bit easier as the two become acquainted. They pick up Yusaku, a 30-something coal miner with a reserved personality. The story slowly begins to shift from the comedic hijinks of Kinya and Akemi to Yusaku’s mental drama. He’s hiding something about his past, which he either wants to forget or is trying to remember.
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