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This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her boy friend, a carnival clown, succeed and takes her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother’s terrifying dreams and psychic connection to the girl and find her before it is too late.
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Have you ever met someone who made your body heat up, get a little nervous and sweaty, and made your crotch stir a bit? Sexual Tension: Volatile will reignite those lustful feelings as it weaves six scintillating experiences of men in various stages of nudity and many forms of erotic male bonding. A pulsating, sexually-charged thrill ride, the film begins as a young man feels the adrenaline rush of his sexy tattooist’s needle in “Ari” while in “The Cousin,” a geeky, cute boy finds a hot Summer afternoon triggering his taboo desire for his Speedo-clad cousin. Two straight buddies literally show each other how to make love to a woman in “The Other One,” while a man with ‘Broken Arms’ receives a sensual sponge bath from a male nurse. “Love” is questionable when a broken shower brings a married man and a hairy, innkeeper together when they least expect it and in “Workout” two muscular men, ‘sexting’ pictures to some hot chicks, begin to shed their clothes and inhibitions.
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Stefano Pasetto’s finely balanced tale of two women from different generations and very different sensibilities provides a surprising answer. Frustrated in each of their relationships, the two women get together and leave town, boldly striking out on their own and forming an indelible bond despite their many differences. This is only the beginning of a wonderfully liberating experience that defies narrative expectations.
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A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an “execution” of the main protagonist and goes back to explore his previous actions and motivations.
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Unhappy marriage causes divorce. Brosnan (new husband) and wife attempt to build a new life, and move to a new state. However, the ex-husband follows and the story unfolds from there.
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Captain Hardt (Conrad Veidt), a World War I German submarine commander, is ordered to lead a mission to attack the British Fleet at Scapa Flow. He puts ashore on the Orkney Islands to meet his contact but finds more than he bargained for in the local schoolmistress (Valerie Hobson).
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The popular Ivor Novello musical play Glamorous Night was given a conservative film treatment in 1937–minus much of the Novello score that had made it famous. Opera singer Mary Ellis plays an opera singer (why not?) who falls in with a band of roguish but likeable gypsies. Mary manages to convince her Bohemian cohorts to rescue the King from the machinations of his ambitious prime minister. As “cast insurance” to make certain that Glamorous Night would get American bookings, Hollywood character actors Otto Kruger and Victor Jory are given leading roles. The US distributors also sliced the film down from 81 to 65 minutes, through the simple expedient of removing several songs.
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A group of film students burn paper effigy cameras for the wandering spirits during the ghost month in Singapore and receive a collection of horror movies in return. The first film received, GHOST POOL LEG, revolves around Chinese superstition in which ghosts are believed to pull swimmers legs to drown them. The second movie, XIAO BAO BAO, focuses on a young woman’s haunting experience after taking a postmortem photograph of a suicide jumper. The third movie, SKIN DEEP, finds a group of shoppers stuck in a mall elevator with a mysterious and beautiful woman who holds a terrible secret. The fourth film, REKINDLING, features a heartbroken hawker, a missing China bride, and the mysterious ring she left behind. The final film comes with a price.
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One of Woody Allen’s earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country’s dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen’s later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides.
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Tender romantic comedy about an aspiring musician who arrives in New York in search of fame & fortune. He soon meets a taxi dancer, moves in with her, and before too long a romance develops.
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