Romance

Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have dinner with friends–only to become stuck in a terrible traffic jam. Laure completely forgot about the mass transit strike that has thrown the city into chaos. But Laure feels good in her car, the only place she has for herself right now. As she takes in the sights and sounds around her–the blare of horns and arguments, the shimmer of lights and camaraderie–Laure notices a calm and self-assured stranger, Jean, approach her car. Soon thereafter, she opens her car door door to the man who–that night–will change her life.
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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
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The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character’s lives, is defined by the narrowness of the camera’s field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.
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Long before the events of the movie Ôki, who was approaching middle age, had a relation to 16-year-old Otoko. She got pregnant, but the child was stillborn. Their relation stopped at the same time. Much later Ôki had become a famous writer, not least because of a novel about this love story. Otoko had become a famous painter. But she had never overcome the double early trauma and had become a Lesbian. Her favourite student and beloved one was the beautiful Keiko. 24 years after the early love Ôki goes from Tokyo to Kyoto to meet Otoko. The meeting is polite with secret emotional shadows. Keiko makes a plan. She intends to seduce Ôki, become pregnant, bear Ôki’s child and give it to Otoko. She hopes that Otoko may thereby get rid of her trauma. But she also wants to take her revenge on the man who had harmed her beloved. Secretly she gets acquainted with Ôki’s son, invites him to Kyoto and seduces him. Then she calls his parents and tells that he had promised to marry her.
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Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890’s. When he falls in love with Odette de Crecy, a courtesan, his friends warn him against marriage. Proving himself a silly and socially-foul goose, Swann ducks his social responsibilities, Odette ensnares him, and he is gently but firmly cast out of society amidst everyone’s great politeness.
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A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother’s family. Now that the stage is set, the mother wants to return to life by taking over her daughter’s body.
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Richard Field is a successful businessman who has become romantically involved with younger employee Diane Lovering, but he is unable to persuade his grasping wife to grant him a divorce out of his dysfunctional marriage. Diane meets dashing rancher Mike Bradley through his wise-cracking pal Johnnie on a South American ocean voyage, and they begin a shipboard romance that carries over to his Argentinian ranch. Diane decides to return to New York and tell Richard in person that she intends to marry Mike Bradley. When Diane gets there Richard surprises her with a wedding ring and the morning newspaper citing Mrs. Field is in Reno obtaining a divorce. Richard had to agree not only to a large monetary settlement but was forbidden to see his sons. Diane didn’t have the heart to tell Richard about Mike and decides to marry him. Diane writes a “Dear John letter” to Mike explaining a calculated mercenary decision that she prefers the position and financial status that Field’s can offer her …
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Young Emmanuelle and her friend Coco visit a friend whose sculptor husband is infatuated with one of his plaster creations. Emmanuelle uses her magic to get him interested again, jump starting their love life. Later, Emmanuelle, Coco and Coco’s sister, Paula, travel to a wedding in Africa. They miss their plane to Salima and have to travel by boat, where they all vie for the attention of a male passenger. After Paula misses her chance with him, she travels via rowboat to an African tribal village where her desires are fulfilled.
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Sensual adventures in Africa and New Mexico for Emmanuelle as she learns a sexy secret of her good friend and former lover, Mario.
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The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a “permanent” relationship, what do they choose to do?
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