
An artist married to a wealthy but ill woman begins an affair with one of his models, who is after him solely for his money. His wife discovers the affair and threatens to cut him out of her will. In order to be able to keep both the wife’s money and his girlfriend, he begins to secretly poison his wife – but events take a surprising turn after she eventually dies.
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Film-Noir
Voice of the Whistler (1945) William Castle, Richard Dix, Lynn Merrick, Rhys Williams, Drama, Film-Noir

The 4th film of the Columbia series based on the CBS radio program, “The Whistler”, finds wealthy John Sinclair, with no health or friends, being advised by his doctor to take a long vacation. Heading for the Great Lakes, he becomes ill in the cab operated by Ernie Sparrow an is taken to a clinic where he meets nurse Joan Martin, who is engaged to intern Fred Graham. Doctors now tell him he has only a few months to live and advise him to go to Maine (where, evidently, it will seem longer.) He asks Joan to marry him, promising to leave her his fortune.
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The Breaking Point (1950) Michael Curtiz, John Garfield, Patricia Neal, Phyllis Thaxter, Crime, Drama, Film-Noir

Fishing boat captain Harry Morgan charters his boat. Due to strained finances, he is none too careful as to whom he does business with. Real trouble erupts when Harry hires out his boat to transport four men who turn out to be criminals on the lam from a racetrack heist.
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Mysterious Intruder (1946) William Castle, Richard Dix, Barton MacLane, Nina Vale, Film-Noir, Mystery

A private detective is hired by the owner of a music store to find a young girl he grew up with. Suspicious as to why someone would pay a lot of money to find someone he hasn’t seen in years, the detective digs further and soon winds up in a scheme involving a set of valuable old phonograph records, a dead millionaire and murder.
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The Houston Story (1956) William Castle, Gene Barry, Barbara Hale, Edward Arnold, Crime, Drama, Film-Noir

In Houston, a man working as an oil driller comes up with a scheme for stealing millions of dollars worth of oil from the fields. He insinuates himself with a local mobster in order to get financing for his scheme.
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Strangers on a Train (1951) Alfred Hitchcock, Farley Granger, Robert Walker, Ruth Roman, Crime, Film-Noir, Thriller

In Alfred Hitchcock’s adaptation of Patricia Highsmith’s thriller, tennis star Guy Haines (Farley Granger) is enraged by his trampy wife’s refusal to finalize their divorce so he can wed senator’s daughter Anne (Ruth Roman). He strikes up a conversation with a stranger, Bruno Anthony (Robert Walker), and unwittingly sets in motion a deadly chain of events. Psychopathic Bruno kills Guy’s wife, then urges Guy to reciprocate by killing Bruno’s father. Meanwhile, Guy is murder suspect number one.
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So Long at the Fair (1950) Antony Darnborough, Terence Fisher, Jean Simmons, Dirk Bogarde, David Tomlinson, Drama, Film-Noir, Mystery

Vicky Barton and her brother, Johnny, take a trip to the 1896 Paris Exhibition. They both sleep in seperate rooms in a hotel. When the sister gets up the next morning, she finds her brother and his room had disappeared and no one will even acknowledge that he was ever there. Now Vicky must find out what exactly happened to her brother.
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The Sleeping City (1950) George Sherman, Richard Conte, Coleen Gray, Richard Taber, Crime, Film-Noir, Drama

At Bellvue Hospital, New York, an intern is shot in the head by an unknown killer. Inspector Gordon of the 9th Precinct finds no obvious leads but senses an undercurrent of mystery at the hospital; enter Detective Fred Rowan, whose medical background enables him to pose as an intern. Through wheels within wheels, Rowan finally penetrates to a secret, dirty racket…and nurse Ann Sebastian, whom he’s been dating, may be mixed up in it.
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Beware My Lovely (1952) Harry Horner, Ida Lupino, Robert Ryan, Taylor Holmes, Crime, Drama, Film-Noir

Helen Gordon hires Howard Wilton as a handyman to do chores around her house. She doesn’t know what she’s let herself in for. Insecure and paranoid, Wilton thinks everyone, including Helen, is against him. He suffers from memory lapses and extreme mood swings. She’s soon a prisoner in her own house after Wilton locks the doors and tears out the telephone. His mood swings from violence to complacency but after Helen gets a message to the police via a telephone repairman, she finds he is still in the house.
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The Capture (1950) John Sturges, Lew Ayres, Teresa Wright, Victor Jory, Drama, Film-Noir

Badly injured and hunted by the police, Lin Vanner takes refuge in a priest’s home, and tells him what has happened. When Vanner was working in a Mexican oil field, he captured a man who was suspected of a payroll robbery, but then felt responsible when the man died in police custody. As a result of the incident, Vanner’s fiancée broke off their engagement, and he resigned from his job. He later felt compelled to visit the dead man’s widow, and ended up working on her ranch. But, as he now explains to the priest, the past has quickly caught up with him.
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