Film-Noir

Shadowy streets, moral ambiguity, and fatal allure. Access our curated catalog to watch old rarefilm classics told with signature style, grit, and haunting cynicism.

To the Ends of the Earth (1948) Robert Stevenson, Dick Powell, Signe Hasso, Maylia, Crime, Film-Noir, Thriller

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Based on the files of the United States Department of Treasury. Commissioner Michael Barrows is an American Government Agent. On board a Coast Gaurd boat off the California coast he chases a ship. The Captain of the ship, the Kira Maru, panics and ruthlessly sends 100 Chinese slaves to a watery death. Barrows recovers a live preserver that tells him the ship is out of Shanghai. He travels there to track down the ship’s captain and discovers that these deaths point to a huge drug smuggling operation. In Shanghai, while searching for the captain of the Kira Maru, he becomes suspicious of a women, Ann Grant, believing she’s Jean Hawks the narcotics ringleader. He follows the narcotics trail “to the ends of the Earth” taking him from Shanghai to Cairo, Beirut and Havana to stop the drugs and the jean Hawks ring at the US border.
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He Ran All the Way (1951) John Berry, John Garfield, Shelley Winters, Wallace Ford, Crime, Drama, Film-Noir

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The uptight and dumb small time thief Nick Robey and his partner and only friend Al Molin steal $10,000.00 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick shoots him in the spine. He hides out in a public swimming pool and meets the lonely spinster Peggy Dobbs in the water. Nick uses Peggy to lie low. He offers a ride in a taxi to her and she invites him to her apartment, where she introduces her family to him. When Nick discovers that he killed the cop, he decides to use Peggy’s apartment as hideout to wait the police manhunt cool down. When Nick finds that Peggy loves him, he invites her to leave town with him and asks her to buy a used car. However, Nick cannot trust anybody and believes Peggy has betrayed him.
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I Mobster (1958) Roger Corman, Steve Cochran, Lita Milan, Robert Strauss, Crime, Drama, Film-Noir

I Mobster (1958)
Joe Sante wants to be the big man, and nobody is going stand in his way. In a world full of smoke, molls, shakedowns, muscle, and murder, Joe knows what he wants and how to get it. But can he disregard his poor old immigrant parents who are ashamed of his criminal life? Will he drag his sweet girlfriend into the life of the underworld? And most importantly, can Joe trust his mobster friends?
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Whistle Stop (1946) Léonide Moguy, George Raft, Ava Gardner, Victor McLaglen, Crime, Drama, Film-Noir

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Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary’s affections. Kenny’s friend Gitlo, a bartender in Lentz’ club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder.
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Underworld Beauty (1958) Seijun Suzuki, Michitarô Mizushima, Mari Shiraki, Shinsuke Ashida, Crime, Drama, Film-Noir

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The moment he’s released from prison, the honorable gangster Miyamoto recovers the stolen diamonds he had stashed before getting pinched. When he returns to his haunt to make good by friend who took a bullet for him, he is diverted by the greedy boss Oyane and his insatiable taste for Miyamoto’s precious stones. Replete with film noir style, “Underworld Beauty” is one of Suzuki’s best nods to the American gangster genre.
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Chicago Calling (1951) John Reinhardt, Dan Duryea, Mary Anderson, Gordon Gebert, Drama, Film-Noir, Thriller

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Bill Cannon (Dan Duryea) loses everything to alcohol: his job, his family, his self-respect. Soon after his wife and daughter leave him, he receives word his little girl has been injured in a car accident outside Chicago. His wife will call later with news, but Bill’s short the $53 he needs to keep his phone from being disconnected. Filled with anguish, he heads out onto the Los Angeles streets to find some way to come up with the cash. As his character encounters expected cruelty and unexpected kindness, Duryea takes what might have been mere melodrama and turns it into a perceptive examination of one shattered soul.
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Outrage (1950) Ida Lupino, Mala Powers, Tod Andrews, Robert Clarke, Crime, Drama, Film-Noir

Outrage (1950)
A young girl is raped while coming home from work. The trauma of the attack turns her away from her parents and her fiancé, and, unable to face society, she runs away and, using an assumed name, takes a job on an orange ranch. A young clergyman takes an interest in her, although she won’t confide in him. When a ranch hand tries to kiss her, she relives her terrifying experience and nearly kills him. She is arrested but when her identity is established and the facts of her case are brought forth, the clergyman convinces the court that it is society that should shoulder the blame. He helps rebuild her faith and send her back to her parents and fiancé.
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The Glass Key (1942) Stuart Heisler, Alan Ladd, Veronica Lake, Brian Donlevy, Crime, Drama, Film-Noir

The Glass Key (1942)
In this slick updating of Dashiell Hammet’s crime novel, political boss Paul Madvig (Brian Donlevy) falls for reform politician Ralph Henry’s attractive daughter Janet (Veronica Lake), despite the caution of his best friend, Ed Beaumont (Alan Ladd). Paul’s efforts to disassociate himself from the criminal underworld backfire, however, when he is accused of murdering Janet’s disreputable brother, and a casino owner Paul had offended sends his sadistic thugs after Ed in revenge.
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