Erotic

young American woman named Odine is the subject of attention by a Spanish couple. They have sex while she watches, and soon invite her to join them, however it soon emerges that the couple have more than just sex on their minds
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Joan Parker, an American scholar of Chinese lore, recently took on a job at a Chinese library. When she stumbles upon a volume of the Kamasutra, her sexual fantasies are unleashed, but she remains cold towards the advances of her fellow librarian. There seems to be a connection to a haunted house she passes by on her way home, and the strange man keeps watching her from a barred window above. Unknowingly, she stumbles into the clutches of the Kamasutra cult, and through a series of trials and orgies discovers her sexuality…and her true nature as a reincarnation of an unhappy lover.
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Saki lives in a run-down hack with her mom who survives by pushing a food cart from dawn to dusk. Saki has dropped out of school, and when she’s not helping her mother selling noodles in the streets, she’s playing flesh-games with boyfriend Sotoo. In her spare time, the girl also entertains a truck driver named Ataru. She believes her promiscuity is a trait inherited from her mom. Determined to improve her lot in life (she doesn’t want to grow up like her mother), Saki decides to stop seeing the two guys. The sizzling Japanese Tatsumi Kumashiro’s erotic drama
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Best Of The Confessions Films.. This is more of the same in this series of four films starring Robin Askwith as Timothy Lea. In this film, he becomes a driving instructor (the opening sequence in how he becomes one is predictable but funny) and works for Sid (Anthony Booth), his brother in law. There is lots of nudity (even a Scottish Pipe Band gets stripped!), but this film benefits from supporting roles, most notably Irene Handl as Miss Slenderpants, vying to finally get her license after 43 tries and Liz Fraser, still sexy and fun. This is a check your brains at the door sex comedy, but to me its the best of the four, since it doesn’t rely only on the sexual escapades. Films like this were hugely popular then, so it was successful. Its not bad.
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Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.
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A lonely teen spending his summer at a posh Swiss villa, is going through agony as it seems that everyone has somebody except for him. He finally learns that good things happen to those who wait, as he meets a gorgeous, virginal, nymphet, played by Syllvia Kristal. Lots of T&A, together with plenty of laughs, in this romp in the Swiss hillsides.
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At the girls’ school, the young teacher requests the young women to prepare a lecture on the topic “The Preliminaries”, for next week, before the year’s end. The girls would contact him if they had any problems with their work. Thus a series of sexual experiments start, which will involve the whole class, and even the teacher.
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In Zola’s Paris, an ingenue arrives at a tony bordello: she’s Nana, guileless, but quickly learning to use her erotic innocence to get what she wants. She’s an actress for a soft-core filmmaker and soon is the most popular courtesan in Paris, parlaying this into a house, bought for her by a wealthy banker. She tosses him and takes up with her neighbor, a count of impeccable rectitude, and with the count’s impressionable son. The count is soon fetching sticks like a dog and mortgaging his lands to satisfy her whims. She bankrupts him, arranges the debauching of his wife, and seduces his son on his wedding day. What else can she accomplish before she leaves Paris airborne?
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The young girl Flossie comes straight from a Swiss boarding school to Stockholm where she meets a young embassy clerk. Together with her friend Eva each tell the other two of previous sexual encounters. (uncut version)
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This movie centers around a group of people that are both very Italian-Catholic and the same time oversexed and jaded European bourgeosis from the late “dolce vita” era. The main protagonist is a former priest who has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex somehow more enjoyable, and this somehow leads to his strange fascination with photographing asses . He gets involved with a sexy married woman (Martine Brochard), but he is more interested in her virginal maid (Gloria Guida)–or, to be more specific, in the maid’s ass. The woman’s husband meanwhile, a hilariously pretentious actor, discovers the affair. Strangely, he is not angry at his wife’s infidelity but depressed that she was so indiscreet, and he too takes solace in his maid’s ass.
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