When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
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Drama
The Comedians (1967) Peter Glenville, Richard Burton, Elizabeth Taylor, Alec Guinness
Set in the Haiti of “Papa Doc” Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. Complications include his inability to sell the hotel so he can leave, a friendship with a rebel leader, some politically “charged” hotel guests, an affair with the German-born wife of a South American ambassador, and the manipulations of a British arms dealer who’s in over his head.
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Hin helgu vé / Pojkdrömmar / The Sacred Mound (1993) Hrafn Gunnlaugsson, Steinþór Rafn Matthíasson, Alda Sigurðardóttir, Helgi Skúlason
On a small island in the west of Island, Gestur, only seven years old, falls in love with 20 years old Helga. When she introduces him her fiancée one day, he decides to fight the competitor with traditional Wicking weapons.
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Hakai / Apostasy (1948) Keisuke Kinoshita, Ryô Ikebe, Yôko Katsuragi, Osamu Takizawa
Segawa, a teacher in a small village, decides to break with his cowardice after discovering their pariah origin.
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Árido Movie (2005) Lírio Ferreira, Guilherme Weber, Giulia Gam, José Dumont
Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.
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Rapado (1992) Martín Rejtman, Ezequiel Cavia, Damián Dreizik, Mirta Busnelli
After his bike and money gets stolen from him, Lucio struggles to find his place in the surrounding reality of Argentina in the years following the military dictatorship. A slowly told story of adolescence of an outcast and a tribute to the neorealistic classics of the 1950s.
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La porta del cielo (1945) Vittorio De Sica, Marina Berti, Elettra Druscovich, Massimo Girotti
Story about the pilgrimage to Loreto train a group of sick and maimed.
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Une femme à sa fenêtre (1976) Granier-Deferre, Romy Schneider, Philippe Noiret, Victor Lanoux
On August 4, 1936, General Metaxas declared martial law in Greece. A union leader using the name Boutros is sought in Athens by Primoukis, a ruthless police leader. Boutros narrowly escapes and, early the next morning, jumps through the window of Marchese Margot Santorini, the wealthy Austrian-born wife of Rico, a penniless Italian diplomat and playboy. Margot is bored and without purpose: aiding Boutros’s escape invigorates her, and soon she is in love. The film briefly jumps to 1945 when Rico and Raoul (who assisted her out of love) meet in France to talk about her fate, and then jumps 30 years to Margot’s daughter’s visit to Greece to find out about her father.
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À ma soeur! / Fat Girl (2001) Catherine Breillat, Anaïs Reboux, Roxane Mesquida, Libero De Rienzo
A Ma Soeur! is a provocative and shocking drama about sibling rivalry, family discord and relationships. Elena is 15, beautiful and flirtatious. Her less confident sister, Anais, is 12, and constantly eats. On holiday, Elena meets a young Italian student who is determined to seduce her. Anais is forced to watch in silence, conspiring with the lovers, but harbouring jealousy and similar desires. Their actions, however, have unforeseen tragic consequences for the whole family.
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Abrir puertas y ventanas / Open Doors, Open Windows (2011) Milagros Mumenthaler, María Canale, Martina Juncadella, Ailín Salas
Buenos Aires at the end of summer. Marina, Sofia and Violeta are alone in the family home after their grandmother, who had brought them up, has died. They have to come to terms with her death, each in her own way. Marina concentrates on her studies while looking after the household, whereas Sofia becomes obsessed by her appearance and goes out with friends. As for Violeta, she wanders around between bedroom and sitting room where, from time to time, she receives an older man. Discord, laughter, meanness, gestures of affection determine the rhythm of this period of uncertainty, until one day in autumn Violeta disappears without warning…
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