Drama

Bliss – directed by Doris Dörrie and adapted from the short story by Ferdinand von Schirach – recounts the tale of Irina, who leaves her war-torn country to become a prostitute on the streets of Berlin and Kalle, also living in on the streets of the German capital. These two individuals are alone and lost in the world until they are brought together through a chance encounter. As their relationship blossoms, a cataclysmic event threatens to destroy their fledgling love, with Kalle forced to extreme measures in order to preserve their happiness.
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Swedish painter Anders Zorn gained notoriety for his nudes. His works are currently worth millions. The film is set in the time when Zorn, already respected for his art, was commissioned to paint a portrait of the Swedish king. Though an excellent painter, Zorn’s personal life is dreadful. A boozer and a womanizer who frequently cheats on his wife, Zorn constantly seeks approval for his art. When he travels to the U.S. for a tour he meets Emilie Bartlett the wife of sculptor Paul W. Bartlett with whom he begins a sporadic affair. After Paul commits suicide, Zorn and Emilie move to Sweden. Zorn disregards his wife’s feelings and openly displays his affections for Emilie.
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Katja and Isabella decide to have a child. However, like many lesbian couples they soon discover that this is much more difficult than they first imagined. Citing legal reasons, most of the sperm banks and fertility clinics refuse to treat them. Fortunately, they are able to find one doctor willing to help – for a large sum. After a while, Katja decides she wants to call a halt to their ‘project’ on account of the toll it is taking on their relationship, not to mention their beleaguered bank balance. But Isabella refuses to give up. She finds a dealer who sells them a kit allowing them to perform the insemination in the comfort of their own home. There are plenty of men on his website willing to sell their sperm for various sums and sometimes one or two additional conditions. And so they begin ‘casting’ for a potential donor – a process that drags on for several difficult weeks. This fictional story is part experiment and part salutary tale. Containing all manner of sensitive material such as research, statistics, facts, prognoses, dreams and realities, this exciting work charts the vibrant terrain between fiction and reality.
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Retired yakuza gangster Shuji (Ken Takakura) moves back from Osaka to a remote coastal village to start a new life as a fisherman with his family, his arrival from the city coinciding with that of the beautiful bar hostess Keiko (Yuko Tanaka, who provided the voice of Lady Eboshi in Princess Mononoke). Keiko’s new bar, as its name Hotaru (‘firefly’) suggests is soon acting as a magnet for all the local fishermen, much to the chagrin of their wives. Not soon after the arrival of Keiko’s roguish lover Yajima (Kitano), also an ex-mobster, the locals are drawn into a host of collective vices including gambling and all-night drinking sessions. After a truly stand-out scene in which Yajima runs rampage through the village on a heroin-induced spree with a carving knife, he is run out of town by Shuji, but not before slashing Shuji’s shirt open during the fracas to reveal the tattoo of a woman’s face upon his back. With Shuji’s gangster past now revealed he finds himself ostracised by the local community and drawn towards the sympathetic character of the bar hostess with whom he shares a common past. When Yajima rears his ugly head one more time in order to borrow money from Keiko to pay off a debt to the yakuza, it is to Shuji that she turns for help, threatening to upset his domestic apple cart and pitch him back towards his old life.
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Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor’s apartment and sets her sights on the detective. Moe’s live-in mother wishes her son would be a successful Jewish doctor like his big brother.
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Second cinematic spin-off from the popular 70’s police series. Regan & Carter head a Flying Squad investigation into a series of bank raids by a team of well-armed villains who are flying in from the continent.
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The film focuses on the war of two gangs in 1930s Harlem for the control of illegal gaming – one headed by black strategic godfather Bumpy Johnson and another by white ruthless hothead Dutch Schultz. Negotiations proposed by white syndicate boss Lucky Luciano never get under way, blood flows and Johnson gets jailed. When Johnson is paroled, he gets the work of enforcer for mighty Stephanie “The Queen” St. Clair. She is also jailed for racketeering and when she leaves she makes him promise “no violence”.
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Moved by the plight of the mother of her daughter’s school friend, a young judge facing an incurable disease teams up with an older colleague in order to fight against financial companies that exploit the poor.
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The remarkable location-filmed Eskimo was adapted from two books: Die Flucht Ins Wiesse Land and Der Eskimo, both written by naturalist Peter Freuchen. Director Woody Van Dyke, in the tradition of his White Shadows on the South Seas and Trader Horn, took his cast and crew on location to the Arctic, arriving by whaling schooner at the topmost settlement in Alaska with author Freuchen as his guide. Van Dyke, Freuchen, and cinematographer Ray Wise also played prominent on-screen roles in the film. Eskimo Ray Mala (billed only by his last name) essays the title role, speaking in the tongue of his ancestors (even though his English was excellent). Rather than use superimposed titles, Van Dyke resorted to old-fashioned silent-movie subtitles in several dialogue sequences. The story concentrates on the more exotic aspects of Eskimo life, notably the race’s (alleged) casual approach to sex. Though tribal leader Mala has, by his own admission, slept with 20 women without benefit of clergy, woe betide anyone who tries to steal his current sweetheart – as a rapacious trader discovers when he’s harpooned to death by the cuckolded hero. Mala is ultimately undone by the Canadian Mounties, whose efforts to civilize the Eskimo community result in a sudden and tragic shift of the balance of power. Editor Conrad A. Nervig won an Oscar for his Herculean efforts to bring cohesiveness to the story. Performing respectably at the box office, Eskimo inspired another location jaunt in 1935: Last of the Pagans, which also starred Ray Mala.
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R.P.M. stands for (political) revolutions per minute. Anthony Quinn plays a liberal college professor at a west coast college during the hedy days of campus activism in the late 1960s. Radical students take over the college, the president resigns, and Quinn’s character, who has always been a champion of student activism, is appointed president. As the students continue to push the envelope of revolution, Quinn’s character is faced with the challenge of restoring order or abetting the descent into anarchy.
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