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Italy in the early 1930s. To the elderly aristocrat Gerard Villeneuve, all that is left of Leonora, the love of his life, are a number of erotic tape recordings. Leonora led a double life as respectable wife and mother of two, and as a whore at the local brothel. Now, after her death, her children Ursula and Edmund pass under the tutelage of Gerard. Having not seen them for many years, he is utterly bewildered by Ursula’s uncanny likeness to her mother. While Gerard’s mistress Fiorella takes care of the sexual needs of Edmund, Ursula follows the last instructions of her mother. In the process, she uses the legacy of her mother’s recordings to get into the mindset of her relationship with Gerard. Is Gerard ready to find his lost love Leonora again…in the likeness of her very daughter?
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This movie centers around a group of people that are both very Italian-Catholic and the same time oversexed and jaded European bourgeosis from the late “dolce vita” era. The main protagonist is a former priest who has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex somehow more enjoyable, and this somehow leads to his strange fascination with photographing asses . He gets involved with a sexy married woman (Martine Brochard), but he is more interested in her virginal maid (Gloria Guida)–or, to be more specific, in the maid’s ass. The woman’s husband meanwhile, a hilariously pretentious actor, discovers the affair. Strangely, he is not angry at his wife’s infidelity but depressed that she was so indiscreet, and he too takes solace in his maid’s ass.
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Liberated ’70s couple seduce another couple into experimentation with bisexuality and group-sex.
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Paul Lavond was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to Devil’s Island. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist’s methods back to Paris to exact painful revenge.
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Franco at his finest – somebody get this film on DVD now! This obscure Golden Films production got to pop the Franco-cherry on my new movie projector. It was just the right choice! Lina Romay, chubby like she just walked out of an Anders Zorn-painting, plays Irena (Female Vampire flashbacks, anybody?) who’s part of a kind of hypnosis nightclub act with the magician Fábian. He’s not a very nice guy and uses his hypnotic powers to use poor Irena as an instrument of vengeance, sleeping with and killing off his enemies. Or is the whole set up just part of her nightmares? An unusually good, hypnotic (in both meanings of the word) sleaze flick that really shows what Franco can achieve with extremely limited resources – some hotel rooms, a handful of actors (the same old faces that’s in all films from this period), a film camera and some re-used Daniel White music. Man, I really love this stripped down Golden Films stuff when it’s done right and this films is much closer in spirit to, say, Macumba Sexual than Mansion of the Living Dead. Parts of the film are almost delirious. There’s a thick, intimate atmosphere and interesting experimental photography. Some scenes are almost bordering on the poetic, for example we have a beautifully shot long kiss filmed through a glass door, bathing in sunlight. Say what you want about Lina’s acting capacity but here she gives all she’s got, somewhat reprising her roles in Female Vampire and Doriana Gray. Even though the story itself is more similar to Nightmares Come at Night. Highly recommended!
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Female writer who as part of a book project has slept with 99 men . Her 100th unsuspecting “victim” is an American architect who she first seduces on a New York ferry and then begins a very hot and semi-kinky affair with despite the fact he’s due to be married in 11 days (and 11 nights). A love lust triangle soon develops between the writer, the architect, and the latter’s bride-to be
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This musical romance is set during the Great Depression and centers upon the rocky marriage between a flapper script girl and her band-leader spouse. Prior to the big stock market crash, they spend much of their time touring. She tires of it and returns to her country home. Unable to find new bookings, he soon joins her and brings with him his acerbic, cynical manager. The bandleader finds the pastoral life a crashing bore and so heads for the big city to find fortune. Fortunately, by the story’s end, he succeeds and happiness is the result. Songs include: “Crazy Rhythm,” “You Were Meant for Me,” “Goodnight Sweetheart” “Sweet Georgia Brown” and “What Can I Say After I Say I’m Sorry.”
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Adapted by Don M. Mankiewicz from his own novel, Trial is a surprisingly timely story of how justice can sometimes be compromised by “special interests”. It all begins when Mexican youth Angelo Chavez (Rafael Campos) is placed on trial for the murder of a white teenaged girl. Battling the lynch-mob mentality in and out of the courtroom is relatively inexperienced defense attorney David Blake (Glenn Ford). Believing that anything done on behalf of his client is for the common good, Blake approves the organization of an “Angelo Chavez Society” to pay the boy’s court costs and ostensibly see that justice is done in the face of small-town prejudice. Soon, however, Blake discovers that both he and his client are being used as dupes by a Communist lawyer, who hopes that Chavez will be found guilty and executed, thereby creating a martyr for the Red cause. Much was made in 1955 of the fact that the presiding judge is a black man, played by Juano Hernandez. A bit creaky at times, Trial nonetheless still packs a wallop when shown today.
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Emotionless has left Six Doors, as has Cold Blood, who has decided to investigate the death of Lord Bu on his own. The departure of two of the four constables has effectively left Six Doors defunct. At this time, trouble begins to brew in the Imperial Palace as Emperor Huizong plans to travel incognito to the outside world. When he is almost assassinated and subsequently disappears, Cold Blood, Emotionless, Iron Hands and Life Snatcher must band together once again under Master Zhuge to save the empire from a massive conspiracy.
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“The Dancing Hawk” refers to the son of a peasant who senses he can climb to the job in troubled times by playing his cards right. His slavery to work match his ambitions, and gradually he reaches the social position he desires. But the costs have included a dehumanized soul and a loss of a moral conscience. People have had to pay for his advancement, including those nearest to him. The downfall is equally painful: either imprisonment or the easy wasy out are offered as the alternatives.
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Leopold Pichler (Pallenberg) is a very orderly and trustworthy chief cashier who is asked by his boss to get a large sum of money from the bank which the boss urgently needs on a trip to Vienna. Due to some circumstances, getting the money takes a little longer than expected and the director leaves for Vienna without it. But Pichler sees himself as a reliable man, and so he and his assistant Wittek (Rühmann) follow the director to Vienna with the money kept in a bag. In Vienna, the two provincials however are mistaken for guests of the director and spend an evening at a posh night club. But when it transpires that the director actually won’t come to the night club that evening, Pichler and Wittek have to pay the bill with the money from the bank. And their subsequent attempts at reimbursing the money lead to situations of ever-increasing hilariousness…
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Theodor Fontane’s novel about a young girl who as a teenager marries a stiff bureaucrat, has a love affair out of boredom and loneliness and has to suffer the consequences years later should be well known.
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In this drama at the end of World War II, the inhabitants of a small Japanese fishing village must come to terms with their nation’s defeat and the sudden occupation of General MacArthur and his troops.
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Project Questor is brainchild of the genius Dr. Vaslovik: he developed plans to build an android super-human. Although he’s disappeared and half of his programming tape was erased in the attempt to decode it, his former colleagues continue the project and finally succeed. But Vaslovik seems to have installed a secret program in Questor’s brain: He flees and starts to search for Vaslovik. Since half of his knowledge is missing, he needs the help of Jerry Robinson, who’s now under suspect of having stolen the android.
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Love, science, sex, infidelity, disease and comedy, the wild, mostly true story of the irrepressible Annie Parker and the almost discovery of a cure for cancer.
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