Teddy is a middle-aged man who has a good wife, kids, friends, a fine job and a girlfriend. You could say that he has everything he wants; but he doesn’t. One day he sees a gorgeous woman in a red dress, and gets crazy!!! He must have her…
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Jordan ‘Bick’ Benedict Jr., is a wealthy landowner and cattle rancher who marries a spoiled and wealthy Virginian woman. When the two return to his cattle empire in Texas, conflicts around race, class and changing traditions including former cowboy and now rich oil tycoon Jett Rink rise to epic proportions through the years and test the unity of the family and surrounding community.
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The penultimate entry in Universal’s Sherlock Holmes series, Terror by Night takes place almost exclusively on a speeding train, en route from London to Edinburgh. Holmes (Basil Rathbone) is on board to protect a valuable diamond from the clutches of master criminal Colonel Sebastian Moran. The trouble is, Moran is a master of disguise, and could be just about any one of the other passengers. Murder and mayhem plague the train excursion before Holmes can successfully complete his mention. Poor old Dr. Watson (Nigel Bruce) is a bit denser than usual here, though his ingenuousness is cleverly woven into the script. Alan Mowbray, who played Inspector Lestrade in the 1932 Clive Brook adaptation of Sherlock Holmes, is seen in a pivotal supporting role.
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A young man, Gabriel Fouquet, arrives in a coastal town in Normandy to visit his daughter, who is staying in a boarding school. He ends up lodging in a guesthouse run by the aged Albert Quentin and his wife Suzanne. To forget his troubles, Gabriel hits the bottle, not realising that the teetotal Albert was once a heavy drinker. Twenty years ago, the latter pledged never to touch alcohol again if he and his wife survived the war. Through his friendship with Gabriel, Albert becomes nostalgic about his past, recalling his time as a sailor on an expedition to China. To drown their sorrows, the two men embark on a drinking binge which quickly gets out of hand…
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The age-old enmity between cattle ranchers and settlers once again takes center stage in this slightly above-average Western filmed in Republic Pictures’ Trucolor system. Walter Brennan plays Pop “Brimstone” Courteen, an ornery rancher who avenges the loss of the free range by robbing stagecoaches and banks. The Courteen gang, which also includes Pop’s three sons, Nick (Jim Davis), Luke (Jack Lambert), and the reluctant Bud (James Brown), gets a bit of competition from The Ghost, a mystery outlaw who really is Marshal Johnny Tremaine (Rod Cameron). Tremaine’s undercover investigation leads to McIntyre (Forrest Tucker), the sheriff of Gunsight, who is in the employ of the Courteens. In love with Molly Bannister (Adrian Booth), a settler, Bud turns against his ruthless family, but will Tremaine be able to save the boy from his father’s wrath?
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This detective thriller features one of the most exciting boat chases ever filmed, a scene that has been compared to the car chase in Bullitt. It is also notable for having much scenic footage of the Netherlands and of Amsterdam. In this film, the headquarters of a drug-smuggling cartel is the quarry of American narcotics agent Paul Sherman (Sven-Bartil Taube). Though the cartel’s activities are centered in Amsterdam, Sherman’s search for the headquarters leads to an island castle owned by an offbeat religious group. Sherman and his partner Maggie (Barbara Parkins) run into serious trouble when they try to gain access to the forbidding site. Paul escapes captivity and chases the culprits by boat.
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Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him every break he deserves. Romantic complications arise as Susan, another singer in the group, offers him devoted admiration as Glenda leads him on with promises of a golden future.
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In the post-Civil War West, a young boy is rescued from a massacre by Protestants who instill the value of pacifism in the young boy. But it’s only when he chases after his missing step-sister that he discovers a skill for gunslinging, takes on the name Requiscant, and re-enters the world of violence denied to him as a child. This spaghetti Western also includes a cameo from director Pier Paolo Pasolini as a renegade priest.
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Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post’s editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams’ whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around?
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Tom Witzky (Kevin Bacon) is a blue-collar worker, a family man, the most ordinary guy in the world…who is about to be plunged into a shattering encounter with another world. And it doesn’t matter that Tom doesn’t believe in the supernatural. Because something supernatural has started to believe in Tom. After he is hypnotized at a neighborhood party, Tom changes. He sees things he can’t explain and hears voices he can’t ignore. As the horrific visions intensfy, Tom realizes they are pieces of a puzzle, echoes of a crime calling out to be solved. But when his other-worldly nightmares begin coming true, Tom wants out. He desperately tries to rid himself of his eerie, unwanted powers – only to be seized by an irresistible compulsion to dig deeper and deeper into the mystery that is consuming his life. When at last he unearths the truth, it will draw him into the long-buried secret of a ghastly crime, a vengeful spirit… and the lethal price of laying that spirit to rest.
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During WW2, in Rome , a trio of escaped Allied POWs find themselves in limbo as they try to avoid re-capture and reach their dispersed units. Michael Pemberton is a British Major, Fyodor Aleksandrovic Nazukov is a Soviet Sergeant and Peter Bradley is an American Lieutenant. A beautiful young Italian woman, Esperia Belli, agrees to give them shelter. She knows that despite Italy’s efforts to break with Nazi Germany and join the Allies there are some Italians who are Fascist sympathizers and would gladly denounce Esperia to the German authorities. Hiding enemy soldiers or escaped POWs is punishable by death. Esperia hopes to get in contact with the Italian anti-Fascist resistance which could help the three escaped Allied POWs rejoin their respective armies. Until then, the fugitives are stuck in Esperia’s attic.
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A graduate student and martial-arts expert rents a room in a house owned by a single mother who lives there with her son. A local street gang is trying to recruit the son, but the new tenant tries to help the boy’s mother keep him out of the gang. When they learn of this, they target both the mother and her new tenant.
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In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society’s crime problem – but not all goes according to plan.
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Based off of the novel by Larry McMurtry, the film’s plot focuses on the capricious relationship between a mother and her daughter. Their lives are constantly changing and the daughter fighting about of terminal cancer, every day is filled with drama…
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France, 1798. In a forest, hunters discover and capture a 12 year old boy who appears to have spent his life living like a wild animal. He is taken to a school for deaf and dumb children in Paris, where is maltreated and used as an object of scientific curiosity. An eminent doctor, Jean Itard, takes an interest in the strange child and resolves to educate him. Little by little, the feral child, whom Itard christens Victor, responds to his benefactor’s patient attempts to civilise him.
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