A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer’s social circle seems to improve greatly when a whimsical co-worker enters his life. Only, as he begins to sketch his new friend’s portrait, disturbing “voices” from the phone man’s past threaten to lead him into a network of destruction.
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From executive producers Wes Craven, Ben Affleck, Matt Damon and Chris Moore comes the “incredible horror extravaganza” Feast (Harry Knowles, Ain’t It Cool News), whose production was chronicled on the third season of Bravo’s hit reality series Project Greenlight. When a motley crew of strangers find themselves trapped in an isolated tavern, they must band together in a battle for survival against a family of flesh-hungry creatures. Terrifying and full of surprises, Feast turns the screen blood red as the group is devoured one-by-one.
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In 73 BCE, a Thracian slave leads a revolt at a gladiatorial school run by Lentulus Batiatus. The uprising soon spreads across the Italian Peninsula involving thousand of slaves. The plan is to acquire sufficient funds to acquire ships from Silesian pirates who could then transport them to other lands from Brandisium in the south. The Roman Senator Gracchus schemes to have Marcus Publius Glabrus, Commander of the garrison of Rome, lead an army against the slaves who are living on Vesuvius. When Glabrus is defeated his mentor, Senator and General Marcus Licinius Crassus is greatly embarrassed and leads his own army against the slaves. Spartacus and the thousands of freed slaves successfully make their way to Brandisium only to find that the Silesians have abandoned them. They then turn north and must face the might of Rome.
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Locked doors, and the monster inside us. In L.A., tightly-wound Julian Wright is separated. He meets Michael, she’s seductive and uninhibited; by chance, a few days later they connect. The PR firm where he’s creative director is competing to be bought by a household name (think Proctor & Gamble); winning will bring money, status, and a big ad budget. His firm’s win depends on both his ideas and his maintaining traditional values; so, he puts his divorce on hold. His family adds problems: childhood memories and his sister’s abusive husband threaten his balance. His fuse is short. Will self control hold obsession and fury in check, or is Michael the spark that will start a conflagration?
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This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.
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China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship with new colleague Deborah Brown promises happiness at last…thwarted by passive, then increasingly active opposition from one sister. Will Harry resort to desperate measures?
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In this film, ‘Her’ refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war.
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Jessie McMullen (Sean Connery) is a widower, a tough guy and most of all, proud of his past as a career criminal (now semi-retired). He raised his son Vito (Dustin Hoffman) to follow in his footsteps, but Vito went straight once he had a son of his own, Adam (Matthew Broderick). Over the years, Vito became ashamed of his family’s criminal past. He has tried to raise his son right, which in his mind means keeping young Adam away from his deadbeat grandfather. Little does Vito know that this strategy has backfired; the mystery surrounding Jessie has caused Adam to idolize him.
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After yet another failed relationship, Mrs. Flax (Cher) ups her family to the east coast to start all over again. Reluctantly dragged along with her is her daughter Charlotte – going through a very confusing time of her life – who wants to become a nun, and instead falls in love with a quiet, mild-mannered church employee, to the mixed response of her mother. Set at around the time of the Kennedy Assassination.
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Two Americans in England–a wealthy playboy and an actress–join forces to stop international spies.
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Most gangsters would be happy overseeing a house of hookers for the mob, but not Marco. The Godson of crime boss Leo Rocca, Marco doesn’t like being a mere assistant to Mr. Danielli, the sadist who runs the prostitution rackets, so when a hooker with a habit offers to give Marco insider information if he will keep her baby sister, Barbara, out of the business, Marco sees an opportunity for advancement and violently double-crosses Danielli. Put in charge of the organizations Number One Whorehouse-which features Scandinavian sex goddess Uschi Digart as one of the working girls-the overly ambitious Marco then tries to expand into the drug business and ends up triggering a mini mob war until Rocca orders Marco and his rival to fight “a duel” at a deserted trailer park with blonde little Barbara as bait…From the director of Mantis In Lace, The Godson is an offer you simply can’t refuse.
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Colum Kennedy went with his family to an Irish village to visit the places of origin of their ancestors. Once he arrived in the village realizes that the community is populated by beastly shape-shifting beings able to transform into animals. Colum begins to feel an intense passion for a woman who can transform into a wolf and must make a choice: return to his family and bring her home or to give in to temptation.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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