
A solitary middle-aged station manager is haunted by troubling memories of his past when he learns the line his station is on will be decommissioned for lack of profitability. Read More »
Tag Archives: Yasuo Furuhata
Winters Flower (1978) Yasuo Furuhata, Ken Takakura, Kimiko Ikegami, Kin’ya Kitaôji, Crime, Drama

A thug is released after fifteen years in prison for the murder of a yakuza gang boss. Read More »
Nihon no fûikusaîchi / The Fixer (1979) Yasuo Furuhata, Shin Saburi, Masakazu Tamura, Kyôko Enami, Crime

A fixer controls political events from behind the scenes – the portrait of a political fixer and his machinations. Read More »
Jigoku no okite ni asu wa nai / Glorious Fights (1966) Yasuo Furuhata, Ken Takakura, Rentarô Mikuni, Yukiyo Toake, Action

A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan without fear of consequences.
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Station / Eki (1981) Yasuo Furuhata, Ken Takakura, Chieko Baishô, Ayumi Ishida, Drama

A very beautiful film. This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she’s had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he’s done in his life and is made over and over again to relive his mistakes. There is very little “action” as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.
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