
The film tells of two friends from a university (played by Ichirô Yûki and Tatsuo Saitô) who vie for the attention of the same girl (Junko Matsui) during a skiing trip. Read More »
Tag Archives: Yasujirô Ozu
A Story of Floating Weeds (1934) Yasujirô Ozu, Takeshi Sakamoto, Chôko Iida, Kôji Mitsui, Drama

A troupe of actors comes to town, short on funds and bedeviled by bad weather, so they can’t put on shows. Read More »
Banshun / Late Spring (1949) Yasujirô Ozu, Chishû Ryû, Setsuko Hara, Yumeji Tsukioka, Drama

Noriko is 27 years old and is still living with her father Somiya, a widower. Read More »
Record Of A Tenement Gentleman (1947)

An errant salaryman’s son gets lost until a man from the Tokyo tenements brings him to vendor Tane, who’s reluctant to let the kid board. Read More »
Sanma no aji / An Autumn Afternoon (1962) Yasujirô Ozu, Chishû Ryû, Shima Iwashita, Keiji Sada, Drama

In the early 60’s in Tokyo, the widower Hirayama is a former captain from the Japanese navy that works as a manager of a factory and lives with his twenty-four year-old daughter Michiko and his son Kazuo in his house.
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Chichi ariki / There was a father (1942) Yasujirô Ozu, Chishû Ryû, Shûji Sano, Shin Saburi, Drama

A father and his son, a son and his father. Horikawa is a widower, a teacher, and a good father to Ryohei, who’s about 10. After a tragedy, Horikawa resigns from teaching and takes Ryohei from Tokyo to the town of Ueno, enrolling him in junior high; to the lad’s sorrow, he will be a boarder. Horikawa returns to work in Tokyo, their separation is complete. Jump ahead more than ten years: with dad’s help, Ryohei has finished college and has a teaching job in Akita. Horikawa considers living with his son, which Ryohei wants, but the elder’s notions of duty and hard work preclude it. Ryohei arranges a ten-day vacation with his father. Heartbreak comes quietly, nearly hidden by dignity.
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Seishun no yume ima izuko / Where Are the Dreams of Youth (1932) Yasujirô Ozu, Ureo Egawa, Kinuyo Tanaka, Tatsuo Saitô, Comedy, Romance

When a young man inherits his father’s lucrative business, he cheats the system to set up three of his college friends with jobs.
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Hitori Musuko / Le Fils Unique (1936) Yasujirô Ozu, Chôko Iida, Shin’ichi Himori, Masao Hayama, Comedy, Drama

The film starts in the rural town of Shinshu in 1923. A widow, Tsune (O-Tsune) Nonomiya (Choko Iida), works hard at a silk production factory to provide for her only son, Ryosuke. When Ryosuke’s teacher Okubo (Chishu Ryu) persuades her to let her son continue to study beyond elementary school, she decides to support her son’s education even until college. Her son promises to become a great man…
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Akibiyori / Late Autumn (1960) Yasujirô Ozu, Setsuko Hara, Yôko Tsukasa, Mariko Okada, Comedy, Drama

Family and friends of the late Shuzo Miwa have gathered for his annual memorial service, this one marking the seventh anniversary of his passing. Three of his long time friends – married Shuzo Taguchi, married Soichi Mamiya, and widowed Seiichiro Hirayama – have long known and admitted to each other that they have always been attracted to his widow, Akiko Miwa, who they believe has gotten even more beautiful as she has matured. The three friends take it upon themselves to find a husband for the Miwa’s now twenty-four year old daughter, Ayako Miwa, who they believe as beautiful as her mother, and who, as a pure innocent, deserves a good husband. Their self-appointed task is despite them knowing that Ayako does not want them to do so. She doesn’t want to get married, at least not yet, as she struggles with her traditional sensibilities in post-war modern Japan. Her first priority as she sees it is to take care of her widowed mother, who would be alone if she were to get married.
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Shukujo wa nani o wasureta ka / What Did The Lady Forget? (1937) Yasujirô Ozu, Sumiko Kurishima, Tatsuo Saitô, Michiko Kuwano, Comedy, Drama

An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada’s. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.
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