Tag Archives: USA

From the director of Babysitter Massacre and Haunted House on Sorority Row comes a shocking new film critics are calling “fresh and original” and “what horror audiences want” In his final night as a radio host, shock jock Amos Satan spins four spine-tingling tales of terror in this anthology of urban legends inspired by Creepshow and Tales from the Crypt. Scarewaves. Listen if you dare.
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Four models go on a photo shoot at an abandoned house previously belonging to the infamous Kandie family. Little do they know that Jonah Kandie still lurks there, seeking revenge on anyone that comes near after being scarred beyond recognition by his father as a young boy. One by one, the models soon become the victims of the vicious killer’s merciless hatred for all things beautiful.
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Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he’s abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
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After trying to live the American dream, Alice returns to a Wonderland of crystal-meth. Her new family consists of characters straight from the March Hare’s tea party; a dysfunctional crew consisting of an insane pimp, a worn out prostitute, and a lethargic burnout. As their lives spiral further into darkness and the past seeks retribution, all will pay the ultimate price for what was lost down the rabbit hole.
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Maybe your folks never did, but we bet that Grandpa or Uncle Louie whispered a few of these. Anyway, you’ve heard most of these racy knee-slappers before. The film is little more than a series of blackouts, concentrating on anatomical humor. And oh, yes: there’s lots of buxom females.
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Fear chokes the free-wheeling underbelly of San Francisco’s punk scene as a killer stalks the night to feed an unspeakable appetite. Community suspicion focuses on Disease, a band that is tainted by groupie deaths allegedly induced by the drug DZS, and on “The Creeper” a misshapen outcast from the bowels of the city. A writer probes the gruesome murders and the story hits close to home, as the web of death devours neighbors, friends, and lovers.
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Five men ride into the eerie town of Yellow Rock, hoping to rescue a family member and his lost boy.
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Stella Parish, star of the London stage, keeps her private life a secret. After an opening night triumph, her mysterious past catches up with her and she vanishes before the after-party. When Ms. Parish doesn’t show up, Keith Lockridge, an ace newspaper reporter, at first assumes it to be a publicity stunt. But producer Stephan Norman receives word that Stella is leaving the country. Lockridge is able to track Stella to a ship bound for America, where she is traveling under a false name and wearing a disguise. Aboard the ship Lockridge befriends Stella and her young daughter Gloria. In New York he becomes very close to Stella (now without the disguise) and Gloria, all the while digging up the details of Stella’s sordid past. Stella confesses her love for Lockridge after he’s already wired his story to his newspaper. With the truth out in the open, Stella sends Gloria to be raised abroad while she exploits her notorious reputation onstage. Sorry for the mess he’s made, Lockridge does …
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Jack lives the high life and wants to make Marjorie his one and only. He then learns that his deceased father is alive but dying of lead poisoning. His father sent him away, twenty years before, to keep him out of the rackets. But now that he is dying, he wants to split the business between Giacomo (Jack) and Frank, his other son. The business includes running booze down from Canada.
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The midnight murder of a rancher and his wife leaves circumstantial evidence pointing the finger of guilt toward a married couple, George Braden and his wife Ellen, who live and work on the ranch. George confesses to the killings in order to free his wife from hours of grilling by the police. Despite the best efforts of his defense attorney, Doug Madison , George gets the death penalty. Sunsequent events and his sympathy for Ellen convince Doug that George is innocent but he must find the real murderer to prove it. His man-hunt leads to a former hired hand, Max Verne. With the help of the latter’s greedy girl friend, Gracie Sanger, Max is found and admits to the killings. But when a hearing is held, a psychiatrist pronounces him unsound of mind but harmless and the judge sets him free.
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