Tag Archives: UK

With unerring curiousity and sensitivity, director Philbert portrays the difficulties and joys of being deaf, offering vivid portraits of people of all ages coping with and surmounting their challenges.
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Biography of the British Prime Minister and his actions during World War I.
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A young man fantasizes about fornicating with several women.
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In England, the times are a changing: it’s mods and rockers. On the day Nancy gets off the London train, cases in hand, looking for the YWCA, Colin has had enough of missing out on the sexual revolution. He begs his smooth (and misogynistic) pal Tolen to teach him ‘the knack’ – how to score with women. Serendipitously, Colin and his new lodger Tom meet up with Nancy while Colin’s buying a bed larger than Tolen’s. The three hit it off, but their simple fun ends when Tolen meets Nancy. Colin is jealous but impotent, and Tolen both attracts and repels her. She swoons, wonders what happened, and cries ‘rape.’ Impish serendipity rubs against unsettling ambiguity; Tolen bolts.
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When a US intelligence agent is unable to bring a ruthless drug baron to justice, he resorts to hiring a contract killer. But the man he is put in contact with turns out to be an old friend.
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Unexpectedly widowed, prim and proper housewife Grace Trevethyn finds herself in dire financial straits when she inherits massive debts her late husband had been accruing for years. Faced with losing her house, she decides to use her talent for horticulture and hatches a plan to grow potent marijuana which can be sold at an astronomical price, thus solving her financial crisis. Grace and her gardener’s efforts to hide their illegal enterprise from the quaint and curious townsfolk and market their product comprise the remainder of the film.
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Set in Cornwall where a young orphan, Mary, is sent to live with Aunt Patience and Uncle Joss who are the landlords of the Jamaica Inn. Mary soon realizes that her uncle’s inn is the base of a gang of ship wreckers who lure ships to their doom on the rocky coast. The girl starts fearing for her life.
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A series of unexplainable accidents befall the people and companies responsible for developing the world’s first supersonic airliner (SST1). A British agent is sent to investigate and with the help of another agent uncovers a plot masterminded by Carl Petersen who stands to gain eight million pounds if the aircraft is not ready by a certain date. The evil Petersen has developed a number of “robots” (actually rather beautiful girls with “electronic brains”) to help him sabotage the SST1 project by means of “infrasound” (extreme low frequency sound waves) which can be directed at people or objects with devastating results.
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The career of horror icon Paul Toombes (Vincent Price) ends in scandal when his fiancée dies under mysterious circumstances. Freed from the mental hospital where he had been committed, the recovered Toombes and screenwriter Herbert Flay (Peter Cushing) intend to revive his most popular character, Dr. Death, for a television series. But the dead bodies start piling up – all of them killed in ways that mimic the victims in Toombes’ films – and to clear his name he must find the real killer.
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Headline serves as a vehicle for handsome David Farrar, who in 1943 was Britain’s fastest-rising leading man. Farrar is cast as Broogle, a crime reporter who’ll do anything-ANYTHING-for a story. When the wife of the publisher disappears after witnessing a murder, Broogle ignores Scotland Yard’s warnings to “lay off” and endeavors to solve the mystery himself. The film’s best performance is rendered by BBC radio favorite Richard Goolden, cast as a self-styled “psychological” detective. While genuine journalists howled at the innacuracies in Headline, audiences ate it up.
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