Tag Archives: UK

Debbie and Jo are identical twins. After Jo is killed in a car accident. Debbie starts to act increasingly like Jo. Mysterious circumstances lead Sam to suspect that the accident wasn’t an accident at all.
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David’s life is on the slide: he’s in the middle of a divorce, broke and ‘can’t get it up’. His girlfriend, Alice, is his rock, but the magazine she writes for is going down and the pressure is on to find a story. While job hunting online, David stumbles across the perfect antidote to his boredom: a ‘Swingers’ site. The resulting inbox of lewd invitations on the home-laptop justifiably upsets Alice, until she realises this could be just the ‘story’ she needs. The idea of uncovering the swinging scene causes quite a stir in Alice’s office and, much to David’s chagrin, she is urged to pursue the story.
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Terence Davies (1945- ), filmmaker and writer, takes us, sometimes obliquely, to his childhood and youth in Liverpool. He’s born Catholic and poor; later he rejects religion. He discovers homo-eroticism, and it’s tinged with Catholic guilt. Enjoying pop music gives way to a teenage love of Mahler and Wagner. Using archival footage, we take a ferry to a day on the beach. Postwar prosperity brings some positive change, but its concrete architecture is dispiriting. Contemporary colors and sights of children playing may balance out the presence of unemployment and persistent poverty. Davies’ narration is a mix of his own reflections and the poems and prose of others.
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After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a co-worker, Holly. Their relationship is complicated when Nina, unable to find rest in the afterlife, comes back to life to sarcastically torment them whenever they have sex.
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In 1920, rural Ireland is the vicious battlefield of republican rebels against the British security forces and Irish Unionist population who oppose them, a recipe for mutual cruelty. Medical graduate Damien O’Donovan always gave priority to his socialist ideals and simply helping people in need. Just when he’s leaving Ireland to work in a highly reputed London hospital, witnessing gross abuse of commoners changes his mind. He returns and joins the local IRA brigade, commanded by his brother Teddy, and adopts the merciless logic of civil war, while Teddy mellows by experiencing first-hand endless suffering. When IRA leaders negotiate an autonomous Free State under the British crown, Teddy defends the pragmatic best possible deal at this stage. Damien however joins the large seceding faction which holds nothing less than a socialist republic will do. The result is another civil war, bloodily opposing former Irish comrades in arms, even the brothers.
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An English teacher arrives on a sleepy Greek island to take up a vacant teaching post. The last man to hold the post committed suicide under mysterious circumstances. Slowly but surely, he is drawn into a bizarre game engineered by a reclusive local magician. The deeper into the game he is drawn, the more he senses danger… yet cannot seem to untangle himself from the fascinating and compelling influence that the game is having on his mind.
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Captain Hardt (Conrad Veidt), a World War I German submarine commander, is ordered to lead a mission to attack the British Fleet at Scapa Flow. He puts ashore on the Orkney Islands to meet his contact but finds more than he bargained for in the local schoolmistress (Valerie Hobson).
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The popular Ivor Novello musical play Glamorous Night was given a conservative film treatment in 1937–minus much of the Novello score that had made it famous. Opera singer Mary Ellis plays an opera singer (why not?) who falls in with a band of roguish but likeable gypsies. Mary manages to convince her Bohemian cohorts to rescue the King from the machinations of his ambitious prime minister. As “cast insurance” to make certain that Glamorous Night would get American bookings, Hollywood character actors Otto Kruger and Victor Jory are given leading roles. The US distributors also sliced the film down from 81 to 65 minutes, through the simple expedient of removing several songs.
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Legendary detective Mike Hammer has spent seven years in an alcoholic funk after the supposed death of his secretary, Velda. He is brought back to the land of the living by his old friendly enemy, police lieutenant Pat Chambers.
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The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.
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