Tag Archives: spanish

This Spanish/French film presents a loving ode to a woman’s breasts and the three men who love them. The fairy tale is told from the viewpoint of 9-year old Tete, who jealous of his new brother’s access to his mother’s breasts, implores the moon to give him a nurturing breast of his own. French cabaret performers Estrellita, the Queen of Stuttgart, and her jealous husband Maurice, come to town with their surprisingly vulgar act. When Tete sees Estrellita, he knows his wish has been granted. Trailer-park electrician Miquel is also very attracted to Estrellita’s charming chest and begins serenade her. Tete gets to sample her charms after he brings her a frog.
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Fernando arrives at the island of Menorca and gets embroiled in the comedic misadventures of various of its inhabitants.
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Nick and Nora head to Nick’s hometown of Sycamore Springs to spend some time with his parents. His father, a prominent local physician, was always a bit disappointed with Nick’s choice of profession in particular and his lifestyle in general. With Nick’s arrival however the towns folk, including several of the local criminal element, are convinced that he must be there on a case despite his protestations that he’s just there for rest and relaxation. When someone is shot dead on his doorstep however, Nick finds himself working on a case whether he wants to or not.
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Gene Tierney and Ray Milland play the Sheridans, a married couple unable to have a biological child. They visit an adoption agency to make inquiries and start the ball rolling. Then, they learn of a child abandoned at a local police station. The loving and very lovely Midge (Tierney) is determined to adopt the young boy, no questions asked; Brad (Milland) insists on learning about the boy’s heredity and his parentage. The Sheridans learn the boy’s father may be a murderer. Will there be a baby for Midge?
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Cass Brown is about to marry for the second time; his first marriage, to Isabel, was annulled. But when he discovers that Isabel just had their baby, Cass kidnaps the infant to keep her from being adopted. Isabel’s parents hunt for the child and discover that Cass and Isabel are still hopelessly in love.
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The true story of the famous Mormon leader, Brigham Young and his battle to transport his people across the Rocky mountains to settle in Salt Lake City. The plot focuses on two of his people, Jonathan Kent and Zina Webb and the hardships they have to face along the way.
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U.S Air Force Sgt. Chuck Brennan always disliked playboy and hotshot, Col. Jim Herlihy. He first met him in Korea, where his emergency arrival for repairs while enroute for what Chuck thought was the colonels “hot date” in Tokyo, caused the death of several of his crewmen. Now several years later when Chuck, while still in the Air Force, is now weighing continued enlistment or retirement, the base’s new C.O. is none other than Col. Herlihy. Compounding his dislike is a budding romance with Chuck’s daughter, Lois.
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In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
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A group of flamenco dancers are rehearsing a very spanish version of the Prosper Merimee’s drama. Antonio (the coreographer) falls in love with Carmen (the main dancer). Their story then turns similar to the play.
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In a sense, Carlos Saura’s first foray into filming classical dance, Blood Wedding, may be seen, not as a stark departure from the immediacy of his narrative films, but rather, as an oblique return to form towards the social interrogations implicit in his earlier work on the fundamental question of Spanish identity – a particularly timely and relevant re-assessment in the aftermath of a contemporary history marked by institutional repression, creative censorship, and historical revisionism. It is within this framework that the selected adaptation of the seminal “rural trilogy” play by Spanish playwright, Federico García Lorca – a writer who was executed by Falangists in the early days of the Civil War and whose work was generally banned throughout Franco’s regime – seems particularly suited to this post Franco-era cultural introspection in its dark and tragic tale of passion, betrayal, and revenge.
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