Tag Archives: spanish subtitles

Four war pilots that have been fighting together go seperate ways and meet up again years later.
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It’s a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he’s promised to Gennaro and which Gennaro would like to have to buy a ticket to the plush new movie theater. But grandpa’s not ready to pass on the quarter or pass on to his final reward: he has some unfinished business with a woman from his past, and he enlists Gennaro to act as his emissary.
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A singing soldier (Johnny Johnston) newly returned home finds himself discontent to work in his father’s opera company or pick up where he left off with his girlfriend. Having met an aquacade showgirl (Esther Williams) while in the service, he reintroduces himself. Romance blossoms.
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Lloyds of London traces the rise to prominence of the venerable British insurance company, as seen through the eyes of fictional 19th-century Londoner Jonathan Blake (Tyrone Power, in his first starring role). A lifelong friend of naval hero Lord Nelson, Blake puts his job (and the future existence of Lloyds) on the line when he announces Nelson’s victory at Trafalgar – before it takes place.
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A woman is tormented by strange dreams of astronauts on the moon. She visits a deserted seaside town whose inhabitants know her even though she does not know them.
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In the late 1800’s, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He’s already a problem to the Crown because of his political ideas; this love affair with someone not of royal blood breeches protocol. The Crown allows the union only after the couple agrees to a morganatic marriage. The emperor further neutralizes Franz by making him inspector general of the army, sending him afield for months at a time. In June of 1914, fearing for his safety, Sophie seeks permission to accompany Franz to Sarajevo; protocol dictates that no army troops attend Franz while she is present. An assassin strikes. Their deaths spark World War I.
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After escaping from an asylum the mad Dr. Niemann and his hunch back assistant revive Count Dracula, the Wolf Man and the Frankenstein monster in order to extract revenge upon their many enemies.
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1978. While the military coup that assaulted Brazil in 1964 starts to teeter, we follow a romance involving an 18 years old soldier and the cultural ringleader of an anarchist cabaret. Tattoo depicts the conflicts and reflections of a whole generation observed from a marginal perspective. Through the vantage point of the exception, the film elucidates the norm.
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The story is simple (Shaolin vs. Manchu traitors), but the effect was anything but, as the screen’s most charismatic action actors team with a legendary director and revered choreographers (Liu Chia-liang and brother Liu Chia-yung) for scenes of unparalleled power.
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Ivan is a priest in a rural church known for the apples that grow on a large tree in front. He’s odd: seeing the world through rose-colored glasses, in denial about personal facts, and convinced he’s at war with Satan. The rectory is a half-way house for recently paroled convicts. Adam arrives for 12 weeks, a large, tough neo-Nazi, first baffled by Ivan’s thick-headed optimism, then angry. He vows to break Ivan’s faith. Meanwhile, in exasperation at Ivan’s insistence, Adam sets a personal goal: to bake an apple pie. All goes awry for the tree: crows, worms, lightening. The Book of Job gives Adam perverse insight, and his hooligan mates provide the resolution’s spring.
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