Tag Archives: Spain

Sin hijos / No Kids (2015) Ariel Winograd, Diego Peretti, Maribel Verdú, Guadalupe Manent, Comedy, Romance

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Gabriel has been separated for four years now. Since then his 8 year old daughter is the center of his life. Completely avoiding getting involved in a new romantic relationship, Gabriel focus all his energy in his daughter and work. This plan gets spoiled when Vicky, a platonic love from his adolescence, now a beautiful and independent woman appears in his life. When romance is about to start, she puts one condition: She would never get involved with a man with children. She just does not want children in her life. When Gabriel is confronted with this, he says he has no children. From that moment on his life becomes a torment, playing every trick at hand in order to hide his child and belongings from Vicky in every date.
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Amor eterno / Everlasting Love (2014) Marçal Forés, Joan Bentallé, Aimar Vega, Sonny Smith, Drama, Mystery

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This film from the director who made Animals (2012), replicates the same quietly brooding atmosphere as aforementioned film. A shy introvert teenage boy accidentally crosses paths with his teacher in a cruising area in the local woods, and thereafter attempts to strike up a love affair with him. The romance that ensues is of a tenebrous kind. Moreover, strange secondary characters and bizarre incidents foreshadow something gloomy to occur.
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For Elise / Para Elisa (2012) Juanra Fernández, Ana Turpin, Ona Casamiquela, Luisa Gavasa, Thriller

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A young college is responsible for the care of an innocent little girl, but soon all he knows give a twist that will endanger his own life. All begin when crossing under the floor of the third floor to the left, a road without knowing directly the door open to the forces of evil, freeing them at will through the building. A desperate race to save the lives when terror and pure evil are in the next aisle.
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The Tit and the Moon (1994) Bigas Luna, Biel Duran, Mathilda May, Gérard Darmon, Art-house, Comedy, Romance

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This Spanish/French film presents a loving ode to a woman’s breasts and the three men who love them. The fairy tale is told from the viewpoint of 9-year old Tete, who jealous of his new brother’s access to his mother’s breasts, implores the moon to give him a nurturing breast of his own. French cabaret performers Estrellita, the Queen of Stuttgart, and her jealous husband Maurice, come to town with their surprisingly vulgar act. When Tete sees Estrellita, he knows his wish has been granted. Trailer-park electrician Miquel is also very attracted to Estrellita’s charming chest and begins serenade her. Tete gets to sample her charms after he brings her a frog.
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El amor brujo / Love, the Magician (1986) Carlos Saura, Antonio Gades, Cristina Hoyos, Laura del Sol, Music, Drama

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In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
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Bodas de sangre / Blood Wedding (1981) Carlos Saura, Antonio Gades, Cristina Hoyos, Juan Antonio Jiménez, Mystery, Musical

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In a sense, Carlos Saura’s first foray into filming classical dance, Blood Wedding, may be seen, not as a stark departure from the immediacy of his narrative films, but rather, as an oblique return to form towards the social interrogations implicit in his earlier work on the fundamental question of Spanish identity – a particularly timely and relevant re-assessment in the aftermath of a contemporary history marked by institutional repression, creative censorship, and historical revisionism. It is within this framework that the selected adaptation of the seminal “rural trilogy” play by Spanish playwright, Federico García Lorca – a writer who was executed by Falangists in the early days of the Civil War and whose work was generally banned throughout Franco’s regime – seems particularly suited to this post Franco-era cultural introspection in its dark and tragic tale of passion, betrayal, and revenge.
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