Tag Archives: Portugal

Ricardo Monteiro is a successful television producer specialising in reality shows. He is 45 years old and he has just received an award for the most popular television show of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. Read More »

Estefãnia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him.
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Portugal by the end of the 40’s. André escapes from jail and has to leave the country. In Oporto, some of his friends find him a guide, a drunken quarrelsome smuggler named Lambaça, who knows Trás-os-Montes border well.
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Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.
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An 18 year old boy with a complicated life starts a criminal career but ends up on a rooftop of Lisbon. On the apartment below lives a recently widowed, lonely old lady. Against all odds and her family’s will, they become each others best company.
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America a tragic story told in a burlesque and ironic way, within a love triangle. Liza, a beautiful young Russian woman, is married to Victor, a small-time crook who lives on scheming and swindling, born and bred in Portugal. Fernanda, the ex wife, who ten year’s passed decides to drop by, is the gang leader, an Andalusian Spaniard. Victor has to decide which women to follow, Liza cannot really leave him, Fernanda doesn’t really want to stay. The six year old kid hangs everybody by a string. Eastern European newcomers give new business perspectives that are going to rock their small world by the beach: Cova do Vapor. A chaotic neighborhood of precarious housing located at Lisbon’s gates, where the Tagus River meets the Atlantic, where fishermen and retired factory workers coexist. An obscure little place, where everything suddenly changes, even the weather. After a violent storm, the gangster’s house gets a rusted fishing boat hanging on top of their home.
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Carol, a twelve-year-old Spanish-American girl from New York, travels with her mother to Spain in the spring of 1938, at the height of the Civil War. Separated from her beloved father, Carol arrives in her mother’s home village and transforms the secretive family environment. Her innocence and rebellious nature drive her at first to reject a world that is at once new and foreign. But she soon journeys into adulthood through a friendship with Maruja, the village teacher, and a young local boy, Tomiche.
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Bored by spending the summer in the city, 15-year-old Rita decides to take a fancy to her new neighbor, a photographer who is setting up an exhibit of his shots in Melanesia. What starts as a game turns into a blazing crush and Rita can’t distinguish between reality and fantasy anymore.
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All seems lost. And then, in an old, lonely and icy park two shadowy figures meet: those of Deus and a Messenger from God. The Messenger gives the crook (the temporary state of poor João de Deus) a suitcase stuffed with money. His mission accomplished, the Messenger leaves. João counts the bank notes. The silent waters of a nearby lake are disturbed when a heavy object plunges in. João goes to see what is happening. A young girl (Joana) is drowning. João throws himself into the water and carries the unconscious Joana off to a convent (Capucines?). How Responsible! João de Deus returns to the park to recover the case and its precious contents: happily, nothing has been touched…
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After Flamenco (1995) and Tango (1998) – nominated for the Academy Award for Best Foreign Language Film, in 2005 Carlos Saura completes his trilogy on modern urban song with Fados. After over two years of research into the subject, Carlos Saura takes an enormous step forward in his approximation to music. If, in his earlier musicals, Iberia, Flamenco, Tango…, he based his work on dancing, in Fados he makes a special effort with the plot and image to reflect the birth of a suburban, dockland music which is in itself a synthesis of all of the music born towards the end of the 19th century.
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