Tag Archives: Ken Takakura

Sen-hime to Hideyori / Lady Sen and Hideyori (1962) Masahiro Makino, Hibari Misora, Kinnosuke Nakamura, Ken Takakura, Drama, History

Sen-hime to Hideyori AKA Lady Sen and Hideyori (1962)
An all-star cast led by Hibari Misora and Kinnosuke Nakamura bring this stunning historical drama to life. From the late 1500’s through the founding of the Tokugawa Shogunate many battles were fought as the great warlords vied for power over the nation. Princess Sen, a daughter of Tokugawa Ieyasu, is caught amidst the family feud between the Tokugawa and Toyotomi families. When her father Lord Tokugawa Ieyasu attacks her husband Toyotomi Hideyori’s castle, her life takes a sudden turn for the worse. Will she ever find peace in her life again? One of Hibari Misora’s most memorable performances, a movie you will never forget!
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Shiawase no kiiroi hankachi / The Yellow Handkerchief (1977) Yôji Yamada, Ken Takakura, Chieko Baishô, Kaori Momoi, Comedy, Drama

Shiawase no kiiroi hankachi (Yoji Yamada, 1977)
The story starts with Kinya, who has recently upgraded his car. He’s a young adult and he’s single so naturally he uses his ride to ahem, look for companions. He offers a ride to a shy girl by the name of Akemi and she reluctantly accepts. From the get go, sexual tension is apparent, but things get a bit easier as the two become acquainted. They pick up Yusaku, a 30-something coal miner with a reserved personality. The story slowly begins to shift from the comedic hijinks of Kinya and Akemi to Yusaku’s mental drama. He’s hiding something about his past, which he either wants to forget or is trying to remember.
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Station / Eki (1981) Yasuo Furuhata, Ken Takakura, Chieko Baishô, Ayumi Ishida, Drama

Station (1981)
A very beautiful film. This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she’s had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he’s done in his life and is made over and over again to relive his mistakes. There is very little “action” as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.
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