Tag Archives: japanese subtitles

Monanieba / Repentance (1984) Tengiz Abuladze, Avtandil Makharadze, Ia Ninidze, Zeinab Botsvadze, Comedy, Drama

Monanieba AKA Repentance (1984)
The villainous mayor of a small town in Georgia, Varlam (Avtandil Makharadze), responsible for Stalin-like terror in his megalomania, dies and is given a pompous burial. Problem arises when the attractive Guliko (Iya Ninidze), someone whose two daughters were persecuted by the mayor, keeps digging up his grave and placing it somewhere else. She is arrested after telling authorities Varlam has no business being buried with such honor. During her trial, the story of the evil mayor is told in flashback, using the power of symbols and surreal dream images to bring back the recollections of that nightmarish regime.
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Twilight Saya in Sasara / Towairaito Sasara Saya (2014) Yoshihiro Fukagawa, Yui Aragaki, Yô Ôizumi, Sumiko Fuji, Drama

Twilight Saya in Sasara (2014)
Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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Barbed Wire Dolls / Frauengefängnis (1976) Jesus Franco, Lina Romay, Paul Muller, Monica Swinn, Crime, Drama, Horror, Erotic

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Maria (Lina Romay) is sentenced to life in prison for the murder of her sexually abusive father (Jess Franco). Upon her arrival at the prison, she meets the cold-blooded, sadistic wardress (Monica Swinn) and the spineless and equally sadistic Dr. Costa (Paul Müller). Together the two systematically torture and abuse the inmates, including Maria, who organizes a plan to rebel and escape. This ‘plot’ serves as an excuse for Franco to depict countless scenes of laughable violence and sordid sex, including lesbian trysts, rape, and female masturbation, with the director’s wild zoom lens performing close-up gynaecological examinations whenever possible.
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Forgetting Sarah Marshall (2008) Nicholas Stoller, Kristen Bell, Jason Segel, Paul Rudd, Comedy, Drama, Romance

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Peter is a composer and a likable sad sack who’s devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he’s checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she’s lost, and what about Rachel?
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The Sword and the Dragon / Ilya Muromets (1956) Aleksandr Ptushko, Boris Andreyev, Shukur Burkhanov, Andrei Abrikosov, Fantasy

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Ilya is a cripple without the use of his legs. When he aids some weary travellers, they surprise him by giving him a potion that restores his legs. He immediately becomes powerful and sets off to prove himself to his King. Doing so, he fights the evil Tugars, a wind demon that looks like a cross between a goblin and The Noid, a zeppelin-like ambassador, and the evil Tugars. Ilya gets framed for a crime he didn’t commit, then is freed, then finally dispatches the Tugars and their dragon.
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Amida-do dayori / Letter from the Mountain (2002) Takashi Koizumi, Akira Terao, Kanako Higuchi, Shoji Arano, Drama

Amida-do dayori (2002)
As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao’s ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view — from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.
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