Tag Archives: Japan

Takashi and four of his classmates, fourth-grade students, cannot succeed in doing a back pullover around a horizontal bar. Their gym teacher warns them: they have one week to succeed; if they resign now, then, tomorrow, facing life difficulties, they will always run away and become bums. Furthermore, all five must succeed, if one of them cannot do it, then all of them fail. Takashi is really worried and wonders if he won’t be always the looser who couldn’t succeed in the back pullover bar exercise.
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What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.
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On August 15, ten years after the Pacific War, five people meet at a station. Their purpose is to dig out a cache of morphine — now worth sixty million yen — that HASHIMOTO, an army medical officer, buried in an air-raid shelter in this city on the day the war ended. The five are: SHIMA, a beautiful woman who claims that she is HASHIMOTO’s younger sister and that her brother is dead; NAKADA, a pharmacist; ONUMA, who owns a Chinese restaurant; YAMAMOTO, a thug; and SAWAI, who says he is a junior high school teacher. But HASHIMOTO originally had only three accomplices — and hid the morphine late at night, so they did not know each other’s identities. There is one person too many in the group, but they do not know whom. A butcher shop now stands over the old air-raid shelter. The five decide to rent a vacant house across the street, and dig a tunnel to the butcher shop.
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Towa lives in a peculiar sanatorium after committing suicide. Convalescing in sanatorium, she is informed that she has only 7 days to live. Isolated within their worlds, strange people live in this sanatorium and try to avoid making any contact with her. However, Claude a man who lost his power of speech feels sympathetic towards her and their every lovable things give true colors to the life and inspire Towa’s honest desire for the life.
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As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao’s ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view — from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.
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Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko’s husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.
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In WW2 Manchuria, a prostitute grows to resent an abusive adjutant and falls in love with his aide.
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The dysfunctional twenty-three years old Sarah takes her six year old natural son Jeremiah from the home of his beloved foster parents with the support of the social service to live with her. Along the years, the boy shares her insane and lowlife style and is introduced to booze and drugs and mentally, physically and sexually abused by Sarah, her lovers and her religiously fanatic family.
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A very beautiful film. This is a Ken Takakura vehicle, and as such follows his formula. Takakura plays to type as the laconic brooder who suffers multiple tragedies with manly stoicism. While the variety of his film varied greatly, his films with director Yasuo Furuhata were always of the highest quality, and this is no exception. Takakura is a cop training to be a sharpshooter for the Olympic games, he divorces his wife and abandons his daughter when he discovers she’s had an affair. Later his coach is gunned down by a fleeing criminal. Years later Takakura returns to his snowy hometown and starts an affair with a middle-aged bar owner. The story is a bit thick, with a number of subplots, yet it is extrordinarily melancholic, as Takakura seems to regret everything he’s done in his life and is made over and over again to relive his mistakes. There is very little “action” as such, and no yakuzas of any kind; but beyond that this is one of the most lushly beautiful and emotional films you can see (if you can see it), with an excellent score by Ryudo Uzaki.
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A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance.
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