Tag Archives: Japan

The film starts in the rural town of Shinshu in 1923. A widow, Tsune (O-Tsune) Nonomiya (Choko Iida), works hard at a silk production factory to provide for her only son, Ryosuke. When Ryosuke’s teacher Okubo (Chishu Ryu) persuades her to let her son continue to study beyond elementary school, she decides to support her son’s education even until college. Her son promises to become a great man…
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Acclaimed Nikkatsu studio pinku eiga filmmaker Chusei Sone directed this action-packed softcore melodrama concerning a group of female ninjas who use sexual magic along with their considerable fighting skills to protect their province from takeover by a ruthless shogun and his band of fighters.
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An all-star cast led by Hibari Misora and Kinnosuke Nakamura bring this stunning historical drama to life. From the late 1500’s through the founding of the Tokugawa Shogunate many battles were fought as the great warlords vied for power over the nation. Princess Sen, a daughter of Tokugawa Ieyasu, is caught amidst the family feud between the Tokugawa and Toyotomi families. When her father Lord Tokugawa Ieyasu attacks her husband Toyotomi Hideyori’s castle, her life takes a sudden turn for the worse. Will she ever find peace in her life again? One of Hibari Misora’s most memorable performances, a movie you will never forget!
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A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. Read More »

Lazy girl Satomi is assigned a stint, against her wishes, to her school’s Robot Club. However, it’s not the premiere club that she got assigned to, but the “B” team where the team members are hardly cooperative, made up of a motley bunch of losers.
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In the best traditions of Japanese mystery stories which place fiendishly elaborate plots at their centre, Murder at the Doll House more than succeeds as a classic detective story. We’re presented with a set of strange occurrences which our master sleuth will explain to us in a long lecture at the end and even if one or two twists are a little obvious, the satisfaction involved in having figured them out ahead of time outweighs any kind of disappointment. Toshio may say he wants to be like Philip Marlowe but in actuality his detective is a little more in the European mould – almost like a more active Poirot or a slightly less obtuse Sherlock Holmes. Still, donning a trench coat with a turned up collar yet eschewing the classic hat which would have obscured his giant ‘70s perm, Matsuda once again turns in a very “cool” performance as super smart private eye.
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A bunch of young angry misfits and hoods who aren’t quite up to joining the yakuza, hatch and execute a variety of petty scams. The youngest, a high school student who has a way with women, is approached by a yakuza and asked to spy for them.
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A demon-faced monster seeking revenge appears in the forms of a gigantic ox and a huge spider! The young Genji warrior protects the Fujiwara Clan and the beautiful lady in tragic love! A grand visual epic told with mesmerizing extravagance!
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A naively honorable samurai (played by Raizo) comes to the bitter realization that his devotion to moral samurai principles makes him an oddity among his peers, and a very vulnerable oddity in consequence. He takes the blame for the misdeeds of others, with the understanding that he will be exiled for one year and restored to the clan’s good graces after the political situation dies down. As betrayal begins to heap upon betrayal, he realizes he’ll have to live out his life as a master-less ronin, if not hunted down and killed.
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The Emperor’s Naked Army Marches On is a brilliant exploration of memory and war guilt, a subject often ignored in modern Japan. In this controversial documentary, Kazuo Hara follows Kenzo Okuzaki in his real-life struggle against Emperor Hirohito. He proudly declares that he shot BBs at the Royal Palace, distributed pornographic images of the Emperor, and once killed a man for the sake of his strange crusade. As the film progresses, Okuzaki reveals a gruesome mystery: why were some Japanese officers killing their own soldiers during WWII? What happened to their bodies? Okuzaki begs, cajoles, and occasionally beats the story out of elderly veterans. When these old men do break down and talk, their testimonies are some of the most chilling, riveting descriptions of wartime desperation ever committed to film. In his desire to unearth these horrors, Okuzaki’s behavior grows increasingly extreme and bizarre. By the film’s end, Hara seems to ask whether the terrible nature of this buried incident is worth the violence of Okuzaki’s methods.
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