A classic Risi of the late 60s. This time his biting humor doesn’t deal with social or political issues but seven situations leaning on absurdity.
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Tag Archives: italian
Midnight Killer / Morirai a mezzanotte (1986) Lamberto Bava, Valeria D’Obici, Leonardo Treviglio, Paolo Malco, Horror, Mystery, Thriller
Nicola confronts his beautiful wife about the affair she’s been having. But someone brutally murders her in the shower, right after he leaves the house. Naturally Nicola is made prime suspect. But his colleague, Anna, sees signs that the murder may have been committed by the so-called “Midnight Ripper”. The only problem is that the Midnight Ripper has been dead for several years…
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Uomini sul fondo / Men in the Deep (1941) Francesco De Robertis, Felga Lauri, Diego Pozzetto, Marichetta Stoppa, Drama
Submarine disaster drama made under the auspices of Mussolini’s department of defense. During maneuvers a submarine collides with a surface vessel and drops to the ocean floor. The crew have thirty hours’ worth of air to get it back to the surface.
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L’avventuriera del piano di sopra / The Lady Upstairs (1941) Raffaello Matarazzo, Vittorio De Sica, Clara Calamai, Giuditta Rissone, Comedy
Misadventures of a young lawyer who, left alone at home for the departure of the jealous wife, is having to help a lady living in a top floor apartment, who asks him to host her to save her from the wrath of her husband. The young man offers his bed to the lady, content to sleep on the couch. The next morning, upon awakening, the lady is already gone, but at the same time is also missing a precious necklace of great value.
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Darò un milione / I’ll Give a Million (1935) Mario Camerini, Vittorio De Sica, Assia Noris, Luigi Almirante, Comedy
Daro un Milione was another felicitous collaboration between director Mario Camerini and his favorite star Vittorio de Sica. Read More »
Nu Guo – In the Name of the Mother (2014) Documentary
In China, in the foothills of the Himalayas, a non-violent egalitarian society has for millennia offered proof that a harmonious and peaceful life is still possible. On the occasion of the 50th anniversary of the United Nations the Mosuo were recognized as a “model society”. On what basis does this community of about 50,000 people function? Above all, for how much longer can it resist the pressures of a market economy engendered by strategically organized mass tourism? In a landscape of outstanding beauty, encounters and testimonies draw us closer to the traditional values cherished by this ethnic group confronted by a crucial challenge: how to safeguard the essence of its identity from destruction and not succumb, as have so many other societies, to the impact of unconstrained globalization.
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Amici Miei / Mes Chers Amis (1975) Mario Monicelli, Ugo Tognazzi, Gastone Moschin, Philippe Noiret, Comedy, Drama
Like in many other Monicelli movies, the main theme of Amici miei is friendship, seen from a rather bitter point of view. It tells the story of four middle-aged friends in Florence who organize together idle pranks (called zingarate, “gypsy shenanigans”) in a continuous attempt to prolong childhood during their adult life…
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Le stagioni del nostro amore / Seasons of Our Love (1965) Florestano Vancini, Enrico Maria Salerno, Anouk Aimée, Jacqueline Sassard, Drama
Vittorio (Enrico M. Salerno) is a 40-year-old journalist who reaches a mid-life crisis. His wife nags him constantly for ignoring her and their child. After his mistress dumps him, Vittorio returns to the town where he spent his childhood to reflect on the state of his life. Flashbacks are used to tell of Vittorio’s relationship with his parents as a child and the effects World War II had on his development.
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La macchina ammazzacattivi / The Machine That Kills Bad People (1952) Roberto Rossellini, Gennaro Pisano, Marilyn Buferd, William Tubbs, Comedy, Fantasy
A demon bestows on a self-righteous working photographer’s camera the power to smite from the Earth “evil-doers”. Naturally, the indignant photographer turns his new weapon on, one by one, his entire village, beginning with the wealthy or illustrious. Soon, the poor he is so supposedly so enamored of become his victims too, so rife with impatience and contempt is he, that the slightest flaw is cause for smiting. Inevitably, he embarks on a task to destroy everyone.
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L’Ora di Religione / Le Sourire de ma Mère (2002) Marco Bellocchio, Sergio Castellitto, Jacqueline Lustig, Chiara Conti, Drama
Marco Bellocchio’s My Mother’s Smile was deemed blasphemous by the Roman Catholic Church for what the Church referred to as Bellocchio’s “systematic destruction of family and religious values.” Contrary to the Church’s presumptions about Bellocchio, My Mother’s Smile is a fascinating portrait of a man (Sergio Castellitto as Ernesto) who is forced to reconcile with his own atheism after receiving a shocking appeal from the Church requesting his participation in the canonization of his “saintly” mother.
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