Tag Archives: italian subtitles

The villainous mayor of a small town in Georgia, Varlam (Avtandil Makharadze), responsible for Stalin-like terror in his megalomania, dies and is given a pompous burial. Problem arises when the attractive Guliko (Iya Ninidze), someone whose two daughters were persecuted by the mayor, keeps digging up his grave and placing it somewhere else. She is arrested after telling authorities Varlam has no business being buried with such honor. During her trial, the story of the evil mayor is told in flashback, using the power of symbols and surreal dream images to bring back the recollections of that nightmarish regime.
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The story involves Giorgio (Serato) who is maintained by a woman of high class and live a lifestyle far beyond their means. She meets and falls for the young and virtuous Isabel (Benetti), and in order to impress and keep secret their true circumstances, rent a villa and passed a couple of actors by their parents. However, things did not go quite right …
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A recently orphaned millionairess, Olivia, really hates her scheming step-father. Olivia finds love with a young yacht racing captain, Tim, who isn’t completely truthful with her. When the two run into a problem the local cop, who happens to be an old friend of Olivia’s, seems to be turning a blind eye to incriminating evidence.
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La storia narra della vita Anne de Beuil, meglio conosciuta come Milady De Winter, famosa per essere la nemica dei 3 moschettieri, donna crudele dal passato oscuro legato a quello del conte de La Fère , prima come moglie e poi come avversari. La donna riuscirà a sopravvivere al tentato omicidio del marito ma la rincontrerà con il nome di Athos. Alla fine verrà condotta al patibolo, e il boia che deve ucciderla si scopre essere…
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Adaptation of the comic play by Macchiavelli about a man’s attempt to bed a woman unable to have a child by pretending to be a doctor.
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A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film tells the story of the Skladanowsky Brothers, the German-born duo responsible for inventing the “bioskop”, an early version of the film projector.
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Poland, during the World War. Lotna is a magnificent specimen of Arabian horse, the pride of her owner, too old to actually ride her but to whom she remains faithful nevertheless. The Polish cavalry army is also proud of their land, and loyal to rules, and custom. The German army is leading an overwhelming speed attack with tanks, an almost unheard of weapon, and bringing a way of life to an end. It’s the last battle between Lotna (speed horse) and Blitzkriega (speed war).
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Helena, the beautiful young wife of a wealthy businessman, invites a stranger Fred to her party. Fred repays her by stealing compromising documents from her husband’s safe, with the aim of blackmailing the couple. Pursued by police and the henchmen of Helena’s ruthless husband, Fred goes on the run, taking refuge in the Paris metro. Here, he meets other social misfits, including a roller-blader the police have been hunting for several months. Whilst Helena realises that she has fallen in love with Fred and makes every attempt to contact him, Fred occupies himself with forming a band by recruiting buskers. Meanwhile, the police and Helena’s husband are getting closer to their target…
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Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
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“Who are you?” the dwarf Mordecai (Billy Curtis) asks Clint Eastwood’s Stranger at the end of Eastwood’s 1973 western High Plains Drifter. “You know,” he replies, before vanishing into the desert heat waves near California’s Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood’s second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago’s residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper’s wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it “Hell,” it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter’s stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood’s antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood’s harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood’s audience, however, was not so put off, and an exhibitors’ poll named Eastwood a top box-office draw for 1973.
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