Tag Archives: Humphrey Bogart

All Through the Night (1942) Vincent Sherman, Humphrey Bogart, Conrad Veidt, Kaaren Verne, Action, Comedy, Crime

All Through the Night (1942)
Broadway gambler Gloves Donahue wants to find who killed the baker of his favorite cheesecake. He sees nightclub singer Leda Hamilton leaving the bakery. When her boss Marty’s partner Joe is murdered, Leda and her accompanist Pepi disappear. It turns out that beneath all the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor.
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In a Lonely Place (1950) Nicholas Ray, Humphrey Bogart, Gloria Grahame, Frank Lovejoy, Film-Noir, Mystery, Drama

In a Lonely Place (1950)
When a gifted but washed-up screenwriter with a hair-trigger temper – Humphrey Bogart, in a revelatory, vulnerable performance – becomes the prime suspect in a brutal Tinseltown murder, the only person who can supply an alibi for him is a seductive neighbor (Gloria Grahame) with her own troubled past. The emotionally charged In a Lonely Place, freely adapted from a Dorothy B. Hughes thriller, is a brilliant, turbulent mix of suspenseful noir and devastating melodrama, fueled by powerhouse performances. An uncompromising tale of two people desperate to love yet struggling with their demons and each other, this is one of the greatest films of the 1950s, and a benchmark in the career of the classic Hollywood auteur Nicholas Ray.
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Beat the Devil (1953) John Huston, Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Action, Adventure, Comedy

Beat the Devil (1953)
A quartet of international crooks – Peterson, O’Hara, Ross and Ravello – is stranded in Italy while their steamer is being repaired. With them are the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but actually to buy land supposedly loaded with uranium. They are joined by others who apparently have similar designs.
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Dark Passage (1947) Delmer Daves, Humphrey Bogart, Lauren Bacall, Bruce Bennett, Film-Noir, Thriller

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Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart’s-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he’s really after is revenge.
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