
story based on what real-life German teenagers schoolgirls of the day were up to
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Tag Archives: german
Schoolgirl report 7 / Schulmädchen-Report 7. Teil – Doch das Herz muß dabei sein (1974) Ernst Hofbauer, Alfred Acktun, Puppa Armbruster, Hans Bergmann, Comedy, Drama, Erotic

A bunch of lovely teenage schoolgirls work at a secret brothel where they have sex with high paying older men. After the girls all get arrested for prostitution, several of them discuss how they wound up working at said brothel
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Schoolgirl Report 6 / Schulmädchen-Report 6. Teil – Was Eltern gern vertuschen möchten (1973) Ernst Hofbauer, Puppa Armbruster, Gerd Arnau, Ini Assmann, Comedy, Erotic

The sexual adventures of young German girls.
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Schoolgirl Report 5 / Schulmädchen-Report 5. Teil – Was Eltern wirklich wissen sollten (1973) Walter Boos, Ernst Hofbauer, Puppa Armbruster, Ekkehardt Belle, Erika Blumberger, Comedy, Drama, Erotic

Six more first-hand accounts of sexual awakening amongst school girls in the early Seventies – some with a happy end, some without.
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Schoolgirl Report 4 / Schulmädchen-Report 4. Teil – Was Eltern oft verzweifeln lässt (1972) Ernst Hofbauer, Puppa Armbruster, Marina Blümel, Ulrike Butz, Drama, Comedy, Erotic

A fake documentary about the sex lives of teenage girls.
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Schoolgirl Report 3 / Schulmädchen-Report 3. Teil – Was Eltern nicht mal ahnen (1972) Walter Boos, Ernst Hofbauer, Friedrich von Thun, Michael Schreiner, Werner Abrolat, Comedy, Drama, Erotic

Stories to display absurdities in the sex life of German school girls
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Schoolgirl Report 2 / Schulmädchen-Report 2. Teil – Was Eltern den Schlaf raubt (1971) Ernst Hofbauer, Friedrich von Thun, Rena Bergen, Kurt Bülau, Drama, Erotic

A strict, conservative teacher is lured by three of his beautiful, nubile young female students into a compromising situation.
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Schoolgirl Report 1 / Schulmädchen-Report: Was Eltern nicht für möglich halten (1970) Ernst Hofbauer, Günther Kieslich, Wolf Harnisch, Helga Kruck, Drama, Erotic

A teenage girl is caught petting with the bus driver during an outing. The school’s parent council discusses her punishment. One parent, a psychologist, suggests that her behavior is not abnormal or worthy of expulsion. He describes teen girls’ experiments with sex, and these dramatized vignettes, interspersed with man-in-the-street interviews with young women about their attitudes and experiences, make a case for 60’s generation’s attitude of independence. The girls argue for telling the truth in the face of post-war German convention. In the end, will Renata be expelled or recognized as a girl from a new era?
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The Bridge / Die Brücke (1959) Bernhard Wickim, Folker Bohnet, Fritz Wepper, Michael Hinz, Drama, War

Bernhard Wicki’s astonishing The Bridge was the first major antiwar film to come out of Germany after World War II, as well as the nation’s first postwar film to be widely shown internationally, even securing an Oscar nomination. Set near the end of the conflict, it follows a group of teenage boys in a small town as they contend with everyday matters like school, girls, and parents, before enlisting as soldiers and being forced to defend their home turf in a confused, terrifying battle. This expressively shot, emotionally bruising drama dared to humanize young German soldiers at a historically tender moment, and proved influential for the coming generation of New German Cinema auteurs.
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Emanuelle In The Country / Messo comunale praticamente spione (1978) Mario Bianchi, Laura Gemser, Gabriele Tinti, Cándida López, Comedy, Erotic

When Emanuelle (Gemser) arrives in the small Italian village heads start turning and eyes start popping. All males in the town are falling all over themselves trying to get a look (or a feel) of the new doctor. One in particular is the fiancee of the mayor’s daughter. A kind of “Hatfield’s and McCoy’s” feud with a political twist has been going on and the young lovers’ families are, unfortunately, on opposite sides. Emanuelle’s shower becomes the target of a gang of voyeurs, including the pillars of the community. She uses it as a stage to taunt the watchers to charge into her apartment on the notion that she is showering with the mayor’s daughter’s fiancee. Instead of what they expected, they find the two young lovers in bed. Can Emanuelle shame them into allowing the marriage that they had been preventing?
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