Tag Archives: french

Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have dinner with friends–only to become stuck in a terrible traffic jam. Laure completely forgot about the mass transit strike that has thrown the city into chaos. But Laure feels good in her car, the only place she has for herself right now. As she takes in the sights and sounds around her–the blare of horns and arguments, the shimmer of lights and camaraderie–Laure notices a calm and self-assured stranger, Jean, approach her car. Soon thereafter, she opens her car door door to the man who–that night–will change her life.
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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
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Linda Vargas picks up Ortiz in a bar where she works in a lesbian show with Maria Toledano. She seduces him, phones the police and kills herself. Ortiz is held on suspicion of her murder. Ortiz’s wife, Rosa, visits a friend of Linda’s, the Countess Anna de Monterey who tells her how Linda went into a spiral of sex and drugs after being assaulted by Ortiz as a young girl at a fair-ground. Linda became the Countess’s lover, then had a disastrous love affair with Alberto, the Countess’ boyfriend. Rosa also meets Maria, who holds Linda’s diary, where she relates how a fake Doctor turned her away from drugs and into a nymphomaniac.
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Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890’s. When he falls in love with Odette de Crecy, a courtesan, his friends warn him against marriage. Proving himself a silly and socially-foul goose, Swann ducks his social responsibilities, Odette ensnares him, and he is gently but firmly cast out of society amidst everyone’s great politeness.
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The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?
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Henri Fortin is poor and iliterate former boxer. Ziman is rich Jewish lawyer from Paris. During WWII they meet when Fortin agrees to drive Ziman’s family to Switzerland. Intrigued by Victor Hugo’s novel “Les Miserables”, Fortin asks the Zimans to read that book to him during the travel. Before the end of movie every main character would see his character in situations similar to those in Hugo’s novel.
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Roland Wolf wants to write a book about a TV game-show host, the hail-fellow-well-met Christian Legagneur, who invites Wolf to his country estate, promising several days of lengthy interviews. But Legagneur’s laughter and easy intimacy are empty of content for a book, and he’s constantly dashing off, promising Wolf more time later. Wolf seems to have his own mask: he’s brought a gun with him, and he’s curious about a woman who was a recent guest at the estate. There’s also Legagneur’s godchild, Catherine, recovering from mental illness, and hovered over by Legagneur and his secretary. As Wolf digs through desks, he discovers a murderous plot.
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Henri Serin, a sales rep in umbrellas who lives in Saumur, is bored with his life. Married to an unloving, uptight wife, who, unlike him, has no interest in sex, he is also rejected by his children. Thus, he spends most of his time travelling from town to town, flirting with women and meeting all kinds of people in the hotels, restaurants, shops and places he visits.
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Two young servants, two sisters hysterical unites a very tender friendship, have not been paid for three years ruined by their bosses. Required to stay there because of the money they are owed, they multiply in the house the misdeeds of all kinds. “Sir” is low, which led his family to the rout. It supports everything provided we never forced to see the truth. “Madame,” she any cash, because it is bounded and interested. She also can not become aware of reality. “Mademoiselle” finally married, but recently separated from her husband.
She tries to be compassionate, understanding, generous. It is, however, just as much, and probably more than others, allergic to this eternal truth that continues to flee. It is, moreover, unconsciously jealous of the affection of the two sisters. In this closed universe bursts terrible tragedy. The husband of “Mademoiselle” returns. He brings with him of purchasers in the house for sale. Given this perspective, the sisters have taken a real amok crisis. While the men were busy signing the papers, they massacred their two bosses.
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Maurice (Michel Piccoli) is a composer, and a longtime member of the resistance. By chance, he shares a house with his teenager granddaughter. Claire, at 17, is eager to experience all sorts of things and the sooner the better, and rebels against anyone who wants to stop him. Between the swimming and the first encounters with the boys, she spends her life, hosted by his grandfather after being orphaned. But this interaction is difficult: both avoid themselves in their large house, escaping through the windows if necessary, living in mutual incomprehension. Yet, they have something in common: both are insurgents in their own way.
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