Tag Archives: french

Re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri (Alexis Loret) and idealistic Jules (Adrien Michaux) as they leave their bucolic, rural hometown to separately pursue their baccalaureate – and real world – educations.
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Saint-Maurice, an ordinary peaceful village, lived healthily so much so that the local doctor’s practice was scant. But that was before Dr. Parpalaid retired and was replaced by a charlatan by the name of Knock. A real genius this one, for he soon managed to persuade everyone that they were ill. And not only didn’t they resent him but they even loved their physician, who made a fortune and brought prosperity to the village by turning it into a big hospital.
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In another indictment of the flaws of our so-called civilization, this satire from the late director Marco Ferreri features Christopher Lambert as Michel, a miserable man who has failed at love and finds solace in a mechanical key holder.
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When Massa (Robert Hossein) is released from prison, he’s sure that Luciano (Simon Andreu), an old freind, is responsible for his incarceration. Massa proceeds to keep watch on Luciano, who has been living with Massa’s beloved sister Maria (Marie-France Pisier). Feeling doubly betrayed because of his unhealthy adoration for Maria, Massa is determined to get back at Luciano and ends up in a deadly game of roulette.
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An updating of the Faust legend, with a dash of Fritz Lang’s “Der Müde Tod”, to a 1950’s Paris recreated in vividly abstract expressionistic sets.
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The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she’s adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
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A girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.
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Some time after “Baisers Volés”, Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives private classes of violin. When Christine is near to have a baby, Antoine decides to find a new job, and he succeeds due to a misunderstanding of his employer. In a business meeting, he meets the Japanese Kyoko (Mademoiselle Hiroko) and they have an affair. When Christine accidentally discovers that Antoine has a lover, they separate. But later they miss each other and realize that they do love each other.
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Paris in the seventies. A depressed philosophy student hears music that will change his life; he becomes fascinated by the singer.
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Workers on a car factory argue with revolutionary students.
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