Tag Archives: french

Dans sa caravane perchée dans les arbres, Tarzoon (Shame) coule des jours heureux en compagnie de June sa femme, et Flicka, son singe. Un brave garçon dont il n’y a rien à dire. Mais, non loin de là, vit la reine Bazonga, protégée dans son royaume souterrain par une armée de créatures phalliques, les Zombits. Prête à conquérir le monde, elle n’a qu’un souci : sa calvitie. Seule une greffe pourrait la sauver et, justement June a les cheveux qu’il lui faudrait…
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Julien and Marguerite de Ravalet, son and daughter of the Lord of Tourlaville, have loved each other since childhood. But as they grow up, their affection veers toward voracious passion. Scandalized by their affair, society hounds them until, unable to resist their feelings, they flee. A contemporary fairytale about desire, passion, hope, love and death.
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Manu and Nadine lose their last tenuous relationship with main-stream society when Manu gets raped and Nadine sees her only friend being shot. After a chance encounter, they embark on an explosive journey of sex and murder. Perhaps as a revenge against men, perhaps as a revolt against bourgeois society, but certainly in a negation – almost joyful in its senseless violence – of all the codes of a society which has excluded, raped and humiliated them. Controversial for its violence and real sex scenes: a vividly nihilist road movie set in France.
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Jacques Demy followed up The Umbrellas of Cherbourg with another musical about missed connections and second chances, this one a more effervescent confection. Twins Delphine and Solange, a dance instructor and a music teacher (played by real-life sisters Catherine Deneuve and Françoise Dorléac), long for big-city life; when a fair comes through their quiet port town, so does the possibility of escape. With its jazzy Michel Legrand score, pastel paradise of costumes, and divine supporting cast (George Chakiris, Grover Dale, Danielle Darrieux, Michel Piccoli, and Gene Kelly), The Young Girls of Rochefort is a tribute to Hollywood optimism from sixties French cinema’s preeminent dreamer.
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When Simon (Jean-Louis Trintignant) is released from prison, he emerges with a bold kidnapping scheme. He enlists the help of an old cohort and his former lover, Martine (Christine Lelouch), to kidnap a young boy. The child’s father is an employee at a bank, and the three criminals blackmail the financial institution, demanding $1 million in ransom. Out of fear, the bank pays the sum, but the kidnappers may have bitten off more than they can chew.
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Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights.
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Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link between four different, yet similar, stories involving love, lust, crime, and time.
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Like in many other Monicelli movies, the main theme of Amici miei is friendship, seen from a rather bitter point of view. It tells the story of four middle-aged friends in Florence who organize together idle pranks (called zingarate, “gypsy shenanigans”) in a continuous attempt to prolong childhood during their adult life…
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A young boy begins to experience the adult world as he enters adolescence.
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Buster Garnier is having a very bad day, even by his standards. First of all he manages to lose his job distributing flyers for a car company when he accidentally hands out packets of real notes instead of the false money-off vouchers; then he blunders into a stage performance at the theatre where his mother is prompt, and gets thrown out there too. Methodically, he drapes a black band across his own portrait, writes a last note to his mother, bids farewell to his pets one by one, switches on the gas tap, and composes himself calmly on the floor to await oblivion. But Life hasn’t had its last laugh at his expense just yet… Meanwhile, across town, a scarred and ruthless gangster is preparing to break out of jail. Unknown to either man, the two of them are almost exactly alike; and when Buster finds himself on stage in the role of a jail-bird, fact and fiction are about to get extremely confused!
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