Tag Archives: France

1577. The Mother Superior at the convent of Archangel is seriously ill. The determined and calculating Mother Giulia plots to become the next Mother Superior. She receives tough competition from tormented lesbian Sister Chiara and the lusty Sister Carmela.
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Henri Fortin is poor and iliterate former boxer. Ziman is rich Jewish lawyer from Paris. During WWII they meet when Fortin agrees to drive Ziman’s family to Switzerland. Intrigued by Victor Hugo’s novel “Les Miserables”, Fortin asks the Zimans to read that book to him during the travel. Before the end of movie every main character would see his character in situations similar to those in Hugo’s novel.
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The marquess of Grillo is a good-natured, clever and women-loving man who is always inventing stories and cracking all types of jokes. The film tells the story of his life.
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Roland Wolf wants to write a book about a TV game-show host, the hail-fellow-well-met Christian Legagneur, who invites Wolf to his country estate, promising several days of lengthy interviews. But Legagneur’s laughter and easy intimacy are empty of content for a book, and he’s constantly dashing off, promising Wolf more time later. Wolf seems to have his own mask: he’s brought a gun with him, and he’s curious about a woman who was a recent guest at the estate. There’s also Legagneur’s godchild, Catherine, recovering from mental illness, and hovered over by Legagneur and his secretary. As Wolf digs through desks, he discovers a murderous plot.
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Henri Serin, a sales rep in umbrellas who lives in Saumur, is bored with his life. Married to an unloving, uptight wife, who, unlike him, has no interest in sex, he is also rejected by his children. Thus, he spends most of his time travelling from town to town, flirting with women and meeting all kinds of people in the hotels, restaurants, shops and places he visits.
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Two young servants, two sisters hysterical unites a very tender friendship, have not been paid for three years ruined by their bosses. Required to stay there because of the money they are owed, they multiply in the house the misdeeds of all kinds. “Sir” is low, which led his family to the rout. It supports everything provided we never forced to see the truth. “Madame,” she any cash, because it is bounded and interested. She also can not become aware of reality. “Mademoiselle” finally married, but recently separated from her husband.
She tries to be compassionate, understanding, generous. It is, however, just as much, and probably more than others, allergic to this eternal truth that continues to flee. It is, moreover, unconsciously jealous of the affection of the two sisters. In this closed universe bursts terrible tragedy. The husband of “Mademoiselle” returns. He brings with him of purchasers in the house for sale. Given this perspective, the sisters have taken a real amok crisis. While the men were busy signing the papers, they massacred their two bosses.
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Young Emmanuelle and her friend Coco visit a friend whose sculptor husband is infatuated with one of his plaster creations. Emmanuelle uses her magic to get him interested again, jump starting their love life. Later, Emmanuelle, Coco and Coco’s sister, Paula, travel to a wedding in Africa. They miss their plane to Salima and have to travel by boat, where they all vie for the attention of a male passenger. After Paula misses her chance with him, she travels via rowboat to an African tribal village where her desires are fulfilled.
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Sensual adventures in Africa and New Mexico for Emmanuelle as she learns a sexy secret of her good friend and former lover, Mario.
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Maurice (Michel Piccoli) is a composer, and a longtime member of the resistance. By chance, he shares a house with his teenager granddaughter. Claire, at 17, is eager to experience all sorts of things and the sooner the better, and rebels against anyone who wants to stop him. Between the swimming and the first encounters with the boys, she spends her life, hosted by his grandfather after being orphaned. But this interaction is difficult: both avoid themselves in their large house, escaping through the windows if necessary, living in mutual incomprehension. Yet, they have something in common: both are insurgents in their own way.
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Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred’s good fortune at being born into a wealthy family, Thomas conceives the idea that he and Alfred were switched at birth, and he can’t help seeing that his unhappiness should be Alfred’s, from the loss of his sister to his inability to have a relationship with the woman Evelyne. So, as his life is ending, he formulates a plan of revenge against his bitter enemy, his lifetime adversary, the man who stole his existence.
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